Male and Female Duet Acting Scene Suggestions – by Play
Written by Tiffany Wilkie
August 6, 2020
Looking for a male/female duet scene for class, explore this list of scene suggestions specially tailored for you. If the clips inspire you, be sure to read the entire play before performing the scene.
Jerry Finnegan’s Sister by Jack Neary (Comedy)
ABOUT THE PLAY: Brian Dowd has spent the last 10 years of his life wrestling with an unrequited “something” for his best friend’s sister, who happens to live next door. But each and every time he’s spoken with Beth Finnegan for more than 30 seconds, he’s ended up with his foot planted firmly in his mouth. Now, Brian’s time is about to run out. With the recent news that Jerry Finnegan’s sister is getting married, the time has come for him to put up or shut up. Like John Wayne in The High and the Mighty, Brian has reached the point of no return. What’s he got to lose–except the love of his life!
The Light by Loy A. Webb (Drama)
ABOUT THE PLAY: Abandoned by his wayward mom, Daniel is consigned to spend the summer with his widower granddad in a Rhode Island beach town, where the locals don’t look kindly on city kids. But his hapless vacation turns around when he meets Izzy: tough-acting, back-sassing, beguiling, and taken. This feisty romantic comedy follows a passing fling that could last a lifetime—as impossible and charmed as an Indian summer.
Indian Summer by Gregory S. Moss (Romantic Comedy)
ABOUT THE PLAY: Abandoned by his wayward mom, Daniel is consigned to spend the summer with his widower granddad in a Rhode Island beach town, where the locals don’t look kindly on city kids. But his hapless vacation turns around when he meets Izzy: tough-acting, back-sassing, beguiling, and taken. This feisty romantic comedy follows a passing fling that could last a lifetime—as impossible and charmed as an Indian summer.
Stage Kiss by Sarah Ruhl (Comedy)
ABOUT THE PLAY: Art imitates Life. Life imitates Art. When two actors with a history are thrown together as romantic leads in a forgotten 1930s melodrama, they quickly lose touch with reality as the story onstage follows them offstage. Stage Kiss captures Sarah Ruhl’s singular voice. It is a charming tale about what happens when lovers share a stage kiss—or when actors share a real one.
The Profane Written by Zayd Dohrn (Drama)
ABOUT THE PLAY: When Lucia, a Mexican-born novelist, gets her first TV writing job, she feels a bit out of place on the white male-dominated set. Lucia quickly becomes friends with the only other Latino around, a janitor named Abel. As Abel shares his stories with Lucia, similar plots begin to find their way into the TV scripts that Lucia writes. Fade is a play about class and race within the Latinx community, as well as at large, and how status does not change who you are at your core.
Fade (Saracho) by Tanya Saracho (Dramatic Comedy)
ABOUT THE PLAY: When Lucia, a Mexican-born novelist, gets her first TV writing job, she feels a bit out of place on the white male-dominated set. Lucia quickly becomes friends with the only other Latino around, a janitor named Abel. As Abel shares his stories with Lucia, similar plots begin to find their way into the TV scripts that Lucia writes. Fade is a play about class and race within the Latinx community, as well as at large, and how status does not change who you are at your core.
Booty Candy by Robert O’Hara (Satire/Political Satire)
ABOUT THE PLAY: Sutter is on an outrageous odyssey through his childhood home, his church, dive bars, motel rooms, and even nursing homes. A kaleidoscope that interconnects to portray growing up gay and black.
The Drunken City by Adam Bock (Comedy)
ABOUT THE PLAY: Off on the bar crawl to end all crawls, three twenty-something brides-to-be find their lives going topsy-turvy when one of them begins to question her future after a chance encounter with a recently jilted handsome stranger. The Drunken City is a wildly theatrical take on the mystique of marriage and the ever-shifting nature of love and identity in a city that never sleeps.
Sunset Baby by Dominique Morisseau (Drama)
ABOUT THE PLAY: Kenyatta Shakur is alone. His wife has died, and this former Black Revolutionary and political prisoner is desperate to reconnect with his estranged daughter, Nina. If Kenyatta truly wants to reconcile his past, he must first conquer his most challenging revolution of all – fatherhood. Sunset Baby is an energized, vibrant, and witty look at the point where the personal and political collide. One of the most exciting and distinctive voices in America.
Torch Song Trilogy by Harvey Fierstein (Dramatic Comedy)
ABOUT THE PLAY: In Torch Song – the two-act revival of Harvey Fierstein’s award-winning Torch Song Trilogy – the life of Arnold Beckoff, a torch song-singing, Jewish drag queen living in New York City, is dramatized over the span of the late 1970s and 1980s. Told with a likable, human voice, Torch Song follows Arnold’s odyssey to find happiness in New York. All he wants is a husband, a child, and a pair of bunny slippers that fit, but a visit from his overbearing mother reminds him that he needs one thing more: respect.
The Boys Next Door by Tom Griffin (Drama)
ABOUT THE PLAY: The place is a communal residence in a New England city, where four mentally handicapped men live under the supervision of an earnest, but increasingly “burned out” young social worker named Jack. Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic who is devastated by the unfeeling rejection of his brutal father, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where “little things” sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they, like their more fortunate brothers, are allotted on this earth.
The Glass Menagerie by Tennessee Williams (Drama)
Amanda Wingfield is a faded, tragic remnant of Southern gentility who lives in poverty in a dingy St. Louis apartment with her son, Tom, and her daughter, Laura. Amanda strives to give meaning and direction to her life and the lives of her children, though her methods are ineffective and irritating. Tom is driven nearly to distraction by his mother’s nagging and seeks escape in alcohol and the world of the movies. Laura also lives in her illusions. She is crippled, and this defect, intensified by her mother’s anxiety to see her married, has driven her more and more into herself. The crux of the action comes when Tom invites a young man of his acquaintance to take dinner with the family. Jim, the caller, is a nice ordinary fellow who is at once pounced upon by Amanda as a possible husband for Laura. In spite of her crude and obvious efforts to entrap the young man, he and Laura manage to get along very nicely, and momentarily Laura is lifted out of herself into a new world. But this crashes when, toward the end, Jim explains that he is already engaged. The world of illusion that Amanda and Laura have striven to create in order to make life bearable collapses about them. Tom, too, at the end of his tether, at last leaves home.
Danny in the Deep Blue Sea by John Patrick Shanley (Drama)
The setting is a rundown bar in the Bronx, where two of society’s rejects, Danny and Roberta, strike up a halting conversation over their beer. He is a brooding, self-loathing young man who resorts more to violence than reason; she is a divorced, guilt-ridden young woman whose troubled teenage son is now being cared for by her parents. Danny, whose fellow truck drivers call him “the animal,” seems incapable of tender emotion, while Roberta, who is still haunted by the memory of an ugly sexual incident involving her father, is distrustful of men in general. And yet, as their initial reserve begins to melt, and they decide to spend the night together, the possibility of a genuine and meaningful relationship begins to emerge—the first for both of them. In the end there are no facile, easy answers, but thanks to the playwright’s skill and compassion, both characters are able to probe within themselves to find an exorcism and forgiveness that, while painfully achieved, offers the hope of a future touched, at last, with more than the bitterness and loneliness that had been their lot before their fateful meeting.
A View From the Bridge by Arthur Miller (Drama)
As told by the New York News. “… is a tragedy in the classic form and I think it is a modern classic…the central character is a long-shoreman who, though his mind is limited and he cannot find words for his thoughts, is an admirable man…When two of his wife’s Italian cousins—submarines they are, in the waterfront argot—are smuggled into this country, he makes room for them in his home. Gratefully they move in among his wife, his children and the teen-age niece whom he has brought up and whom he has come to love, he thinks, as a daughter. And now the stage is set for tragedy. One of the illegal immigrants has a family in Italy for whom he is working; the other young, extraordinarily handsome, and exceedingly blonde, is single. He wants to become an American, and he falls in love with his benefactor’s niece. If he marries the girl he will no longer have to hide from immigration officials. A monstrous change creeps up on the kind and loving uncle. He is violently opposed to this romance and is not intelligent enough to realize that this opposition is not motivated, as he thinks, by a dislike of the boy and a suspicion that he is too pretty to be a man, but by his own too intense love for his niece. Not even the wise and kindly neighborhood lawyer can persuade him to let the girl go. This is an intensely absorbing drama, sure of itself every step of the way. It makes no false moves, wastes no time and has the beauty that comes from directness and simplicity.”
The Shape of Things by Neil LaBute (Drama)
How far would you go for love? For art? What would you be willing to change? What price might you pay? Such are the painful questions explored by Neil LaBute in THE SHAPE OF THINGS. A young student drifts into an ever-changing relationship with an art major while his best friends’ engagement crumbles, so unleashing a drama that peels back the skin of two modern-day relationships.
Proof by David Auburn (Drama)
On the eve of her twenty-fifth birthday, Catherine, a troubled young woman, has spent years caring for her brilliant but unstable father, a famous mathematician. Now, following his death, she must deal with her own volatile emotions; the arrival of her estranged sister, Claire; and the attentions of Hal, a former student of her father’s who hopes to find valuable work in the 103 notebooks that her father left behind. Over the long weekend that follows, a burgeoning romance and the discovery of a mysterious notebook draw Catherine into the most difficult problem of all: How much of her father’s madness—or genius—will she inherit?
Boy’s Life by Howard Korder (Comedy)
Told in a series of fast-paced, sharply etched scenes, the play traces the misadventures of three former college buddies now seeking to make their way in the big city—and with various women of their acquaintance. There is the cynical Jack, who is already married and a father, but is not above pursuing daytime adulteries while babysitting in the park; the innocent, vulnerable Phil, who grows weary of not being taken seriously and concludes that being unhappy is the way things are supposed to be; and the handsome, amoral Don, who risks a solid relationship with his girlfriend by sleeping with another, simply to see if he “could get away with it.” Moving along briskly, with its mood of satirical humor brilliantly sustained, the play dissects and anatomizes the male narcissism—and protracted adolescence—which characterizes its protagonists and, in the end, makes it hilariously clear that it is actually the women who possess the qualities of “manhood” and maturity which their deluded lovers so desperately lay claim to.
Anna in the Tropics by Nilo Cruz (Drama)
ANNA IN THE TROPICS is a poignant and poetic new play set in Florida in 1929 in a Cuban–American cigar factory, where cigars are still rolled by hand and “lectors” are employed to educate and entertain the workers. The arrival of a new lector is a cause for celebration, but when he begins to read aloud from Anna Karenina, he unwittingly becomes a catalyst in the lives of his avid listeners, for whom Tolstoy, the tropics and the American dream prove a volatile combination.
A Raisin in the Sun by Lorraine Hansberry (Drama)
Set on Chicago’s South Side, the plot revolves around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee, his wife Ruth, his sister Beneatha, his son Travis, and matriarch Lena. When her deceased husband’s insurance money comes through, Mama Lena dreams of moving to a new home and a better neighborhood in Chicago. Walter Lee, a chauffeur, has other plans: buying a liquor store and being his own man. Beneatha dreams of medical school. The tensions and prejudice they face form this seminal American drama. The Younger family’s heroic struggle to retain dignity in a harsh and changing world is a searing and timeless document of hope and inspiration.
Vanya and Sonia and Masha and Spike by Christopher Durang (Comedy)
Winner of the 2013 Tony Award for Best Play. Middle-aged siblings Vanya and Sonia share a home in Bucks County, PA, where they bicker and complain about the circumstances of their lives. Suddenly, their movie-star sister, Masha, swoops in with her new boy toy, Spike. Old resentments flare up, eventually leading to threats to sell the house. Also on the scene are sassy maid Cassandra, who can predict the future, and a lovely young aspiring actress named Nina, whose prettiness somewhat worries the imperious Masha.
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