Don’t get me wrong, ingénues are an archetype to be cherished. Where would we be without the beautiful Maria falling in love with Tony, the beautiful Christine Daee falling in love with Raoul, the beautiful Cosette falling in love with Marius and… well, you get it.

But don’t let that pesky patriarchy fool you. Being prim, proper, and ready for love are not the only traits women can aspire to have — as proven by the following list of some pretty intricate, powerful, flawed, and ambitious musical leads who just so happen to have two X chromosomes.

Velma Kelley, Chicago

Let it be known that thinking/acting like a real human does not mean one’s choices are always founded in virtue. In fact, it often means just the opposite which is why the notorious better half of the Kelley sisters deserves some acclaim as an intriguing, realistic and overly intimidating character.

Eva Peron, Evita

Protagonists do not come more sophisticated and unabashedly driven than Eva Peron. With an insatiable desire to climb the social ladder to become part of the ruling class that oppressed her, and her romances used as devices to drive her own plot, Evita is one lady for whom no countries should cry.

Momma Rose, Gypsy

Perhaps the most iconic female lead of all time and one of the most complex musical characters period, Momma Rose’s idiosyncrasies could be crammed into dissertations for centuries. Plus, she sings an entire song about egg rolls and what’s more reflective of being a realistic human woman than a desire for good food?

Elphaba, Wicked

Like any list involving musical theatre, we must mention the most beloved witch of all time. Elphaba’s yearning for recognition all while battling the conflict of right and wrong inside herself are the primary reasons people of all ages commiserate with her story despite typically failing to be green or witches themselves.

Cathy Hiatt, The Last Five Years

Though not as bold and debatably corrupt as some of the other ladies on this list, Cathy deserves at the very least an honorable mention. Here’s a woman who carries one half of a musical all herself and gives a realistic portrayal of the rollercoaster that is love. For that, I salute Cathy Hiatt.

Maureen Johnson, RENT

In addition to the obvious commendable success of having a tango named after her, Maureen is also a sexual performance artist, activist and unfaithful lover to both men and women. Immorality aside, she is one fascinating New Yorker with a lot of objectives that stretch beyond her hookups.

Elle Woods, Legally Blonde

Elle is the voice of every woman who has ever been objectified or belittled, be it for appearance or hobbies. Wear pink, know fashion, become a lawyer, bend and snap – do what makes you happiest. Being fulfilled for her own sake is Elle’s admirable lesson.

Aida, Aida

Proof that a princess can be more than a damsel in distress, Aida plots to save her people first and foremost, treating her interest in Radames as an unexpected obstacle. While the two end up together, it is a reunion transcended by Aida’s primary need to uphold her own integrity.

Tracy Turnblad, Hairspray

Charismatic, loyal and determined, there are few characters more noble or with better hair than Tracy Turnblad. Tracy never questions her own goals or what she knows to be right, but rather questions and improves the temperaments of those around her (I’m looking at you, Link Larkin).

The Schuyler Sisters, Hamilton

Enough said.

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