{"id":996,"date":"2016-08-23T15:27:12","date_gmt":"2016-08-23T15:27:12","guid":{"rendered":"http:\/\/mgs.performerstuff.com\/?p=996"},"modified":"2018-09-05T15:49:22","modified_gmt":"2018-09-05T15:49:22","slug":"13-classic-american-playwrights-you-should-know","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/13-classic-american-playwrights-you-should-know\/","title":{"rendered":"13 Classic American Playwrights You Should Know"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3>13 Classic American Playwrights You Should Know<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"http:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/06\/authorimage.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by Ashleigh Gardner<\/p>\n<p>August 16, 2016<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Looking to brush up on your classic American theatre? Look no further than our list of 13 influential classic American playwrights.\u00a0The playwrights below\u00a0have significantly\u00a0contributed to the culture of American theatre through their depictions of the American Dream, racism, poverty, identity, feminism, and personal struggle, helping to shape the American theatre\u00a0we know today.\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">With each playwright, we&#8217;ve included basic information, some trivia, and the plays for which they are most famous.\u00a0<\/span><\/p>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/blog_Classic-American-Playwrights-You-Should-Know.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><h4 style=\"text-align: left;\">Eugene O\u2019Neill (1888 &#8211; 1953)<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-3 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">O\u2019Neill was one of the first American playwrights to incorporate the concept of realism into his plays &#8212; realism that included characters on the fringes of society, varied American dialects and colloquialisms, and deep-seated fears of those realistic characters. O\u2019Neill\u2019s aim was to strip American theatre of false sentimentality and present, rather, an honest view of American culture. He was awarded the Pulitzer Prize in Drama in 1920, 1922, 1928, and 1957 and for Literature in 1936.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b><span style=\"font-weight: 400;\"> His daughter, Oona, married English actor and director Charlie Chaplin. O\u2019Neill disowned her and never saw her again.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays: <\/b><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/7463\/desire-under-the-elms\"><i><span style=\"font-weight: 400;\">Desire Under the Elms<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/27578\/iceman-cometh-the\"><i><span style=\"font-weight: 400;\">The Iceman Cometh<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2864\/moon-for-the-misbegotten-a\"><i><span style=\"font-weight: 400;\">A Moon for the Misbegotten<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/7006\/anna-christie-oneill\"><i><span style=\"font-weight: 400;\">Anna Christie<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.amazon.com\/Hairy-Ape-Eugene-ONeil\/dp\/1463605021\/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=&amp;sr=\"><i><span style=\"font-weight: 400;\">The Hairy Ape<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>George S. Kaufman (1889 &#8211; 1961)<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-4 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Kaufman was a fan of satire, and incorporated this type of voice in many of his plays and the plays he worked on with his fellow playwrights. Also a director and producer, Kaufman directed plays and musicals including a stage adaptation of Steinbeck\u2019s <\/span><i><span style=\"font-weight: 400;\">Of Mice and Men <\/span><\/i><span style=\"font-weight: 400;\">in 1937 and <\/span><i><span style=\"font-weight: 400;\">Guys and Dolls <\/span><\/i><span style=\"font-weight: 400;\">in 1951, a show that earned him the 1951 Tony Award for Best Director. He was awarded the Pulitzer Prize for Drama in 1932 and 1937.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b><span style=\"font-weight: 400;\"> Before Kaufman was a playwright, he was a ribbon salesman. <\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays: <\/b><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/6571\/man-who-came-to-dinner-the\"><i><span style=\"font-weight: 400;\">The Man Who Came to Dinner<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">,<\/span><\/i> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2918\/merrily-we-roll-along\"><i><span style=\"font-weight: 400;\">Merrily We Roll Along<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/7431\/stage-door\"><i><span style=\"font-weight: 400;\">Stage Door<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/7433\/you-cant-take-it-with-you\"><i><span style=\"font-weight: 400;\">You Can\u2019t Take It With You<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2933\/dinner-at-eight\"><i><span style=\"font-weight: 400;\">Dinner at Eight<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Thornton Wilder (1897 &#8211; 1975)<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-5 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Wilder\u2019s plays concentrate on the commonplace happenings in people\u2019s lives and the cosmic events that seem to envelope them. Wilder was also involved in other areas of entertainment and education: acting, writing opera librettos, film, translation, teaching, and lecturing. He famously wrote the first draft of\u00a0Alfred HItchcock\u2019s 1943 thriller <\/span><i><span style=\"font-weight: 400;\">Shadow of a Doubt. <\/span><\/i><span style=\"font-weight: 400;\">Wilder was awarded The Pulitzer Prize for Drama in 1938 and 1942.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">Wilder was proficient in four languages: German, French, Norwegian, and Spanish.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays:<\/b> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/646\/our-town\"><i><span style=\"font-weight: 400;\">Our Town<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">,<\/span> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/650\/matchmaker-the\"><i><span style=\"font-weight: 400;\">The Matchmaker<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/652\/skin-of-our-teeth-the\"><i><span style=\"font-weight: 400;\">The Skin of Our Teeth<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/657\/long-christmas-dinner-the\"><i><span style=\"font-weight: 400;\">The Long Christmas Dinner<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Lillian Hellman (1905 &#8211; 1984)<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-6 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Hellman\u2019s plays heavily comment on social issues like feminism, aging, and family dysfunction. She was heavily criticized for her sympathy to Communist causes, and was repeatedly questioned about her Communist leanings by the <\/span><span style=\"font-weight: 400;\">House Committee on Un-American Activities<\/span><span style=\"font-weight: 400;\"> (HUAC) but refused to answer any questions they\u00a0asked of her. She was later blacklisted by HUAC, which caused a decline in her income.\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">Her play, <\/span><i>The Children\u2019s Hour, <\/i>which featured a lesbian relationship\u00a0between two teachers,<i>\u00a0<\/i><span style=\"font-weight: 400;\">was adapted into a film called <\/span><i><span style=\"font-weight: 400;\">These Three<\/span><\/i><span style=\"font-weight: 400;\"> in which one schoolteacher is accused of sleeping with the other\u2019s fiance. (The Motion Picture Production Code of 1933 prevented any mention of lesbian relationships.)<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays:<\/b> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1776\"><i><span style=\"font-weight: 400;\">The Autumn Garden<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/14395\/the-childrens-hour\"><i><span style=\"font-weight: 400;\">The Children\u2019s Hour<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1845\"><i><span style=\"font-weight: 400;\">The Little Foxes<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1378\"><i><span style=\"font-weight: 400;\">Toys in the Attic<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Tennessee Williams (1911 &#8211; 1983)<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-7 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Considered one of the three major playwrights of 20th-century American drama, Williams used his own life to inform the content of his plays. His work, realistic in nature, contained drug abuse, alcoholism, and domestic violence, all of which he experienced at some point in his life. <\/span><i><span style=\"font-weight: 400;\">A Streetcar Named Desire <\/span><\/i><span style=\"font-weight: 400;\">and <\/span><i><span style=\"font-weight: 400;\">Cat on a Hot Tin Roof <\/span><\/i><span style=\"font-weight: 400;\">won the Pulitzer Prize for drama in 1948 and 1955, respectively. \u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b><span style=\"font-weight: 400;\"> As a struggling writer, Williams worked as a caretaker at a chicken ranch outside Los Angeles.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays:<\/b> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1813\"><i><span style=\"font-weight: 400;\">The Glass Menageri<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1791\"><i><span style=\"font-weight: 400;\">A Streetcar Named Desire<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1722\"><i><span style=\"font-weight: 400;\">Cat on a Hot Tin Roof<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1707\"><i><span style=\"font-weight: 400;\">Orpheus Descending<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.amazon.com\/Baby-Doll-Tiger-Tail-screenplay\/dp\/0811211673\"><i><span style=\"font-weight: 400;\">Baby Doll<\/span><\/i><\/a><\/span> <span style=\"font-weight: 400;\">(often called <\/span><i><span style=\"font-weight: 400;\">Baby Doll &amp; Tiger Tale<\/span><\/i><span style=\"font-weight: 400;\">)<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Arthur Miller (1915 &#8211; 2005)<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-8 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Miller, one of the most prominent playwrights in 20th-century American theatre, was also an essayist. His work mainly focuses on the balance between the individual and society &#8212; how society influences the individual and how the individual influences the world around them. Themes in his work include The American Dream, social responsibility, death, and human purpose. In 1949, he was awarded the Pulitzer Prize for Drama for\u00a0<em>Death of a Salesman.<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><strong>Trivia: <\/strong><i><span style=\"font-weight: 400;\">The Crucible <\/span><\/i><span style=\"font-weight: 400;\">is a commentary on the \u201cwitch hunt\u201d that the HUAC established to root out Communist sympathizers during the \u201850s.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\"><strong>Popular Plays:<\/strong> <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1769\"><i><span style=\"font-weight: 400;\">The Crucible<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1780\"><i><span style=\"font-weight: 400;\">Death of a Salesman<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1610\"><i><span style=\"font-weight: 400;\">After the Fall<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1719\"><i><span style=\"font-weight: 400;\">A View from the Bridge<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1817\"><i><span style=\"font-weight: 400;\">All My Sons<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=856\"><i><span style=\"font-weight: 400;\">The Last Yankee<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Edward Albee (1928 &#8211; 2016)<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-9 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Known for his absurdist theatre leanings, Albee\u2019s introduction to the theatre was at a very early age. His adoptive father owned several theatres, and it was in the theatre that Albee realized he wanted to be a writer. Albee was awarded three Pulitzer Prizes for drama: <em>A <\/em><\/span><i><span style=\"font-weight: 400;\">Delicate Balance<\/span><\/i><span style=\"font-weight: 400;\"> (1967), <\/span><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1439\"><i><span style=\"font-weight: 400;\">Seascape<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (1975), and <\/span><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=809\"><i><span style=\"font-weight: 400;\">Three Tall Women<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (1994). He also received the Tony Award for Lifetime Achievement in 2005.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">Albee was expelled or dismissed from two of his primary schools and his college for various reasons including attendance issues and failure to attend mandatory church services. <\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays:<\/b> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1623\"><i><span style=\"font-weight: 400;\">Who\u2019s Afraid of Virginia Woolf?<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=3242\"><i><span style=\"font-weight: 400;\">The Goat, or Who is Sylvia?<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=662\"><i><span style=\"font-weight: 400;\">The American Dream<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/944\/delicate-balance-a\"><i><span style=\"font-weight: 400;\">A Delicate Balance<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=3998\"><i><span style=\"font-weight: 400;\">At Home at the Zoo<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\"> (formerly titled <\/span><i><span style=\"font-weight: 400;\">Peter &amp; Jerry<\/span><\/i><span style=\"font-weight: 400;\">)<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Mar\u00eda Irene Forn\u00e9s (1930 &#8211; )<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-10 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">A leading playwright of avant garde theatre, Forn\u00e9s was born in Cuba and immigrated to the United States when she was 14. In 1954, Forn\u00e9s moved to Paris; while living there, she saw a production of Samuel Beckett\u2019s <\/span><i><span style=\"font-weight: 400;\">Waiting for Godot. <\/span><\/i><span style=\"font-weight: 400;\">This inspired her to become a playwright. Forn\u00e9s\u2019 plays focus on social and personal issues, oftentimes using theatre as an immersive experience. She would later win the 1985 Obie Award for Best Play for her work, <\/span><i><span style=\"font-weight: 400;\">The Conduct of Life.<\/span><\/i><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b> <span style=\"font-weight: 400;\">Before Forn\u00e9s was a playwright, she was a painter of abstract art.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays: <\/b><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.broadwayplaypub.com\/the-plays\/maria-irene-fornes-plays\/\"><i><span style=\"font-weight: 400;\">The Conduct of Life<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/24585\/fefu-and-her-friends\"><i><span style=\"font-weight: 400;\">Fefu and Her Friends<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.broadwayplaypub.com\/the-plays\/maria-irene-fornes-plays\/\"><i><span style=\"font-weight: 400;\">Mud<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.broadwayplaypub.com\/the-plays\/maria-irene-fornes-plays\/\"><i><span style=\"font-weight: 400;\">Sarita<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/29878\/letters-from-cuba-and-other-plays\"><i><span style=\"font-weight: 400;\">Letters from Cuba<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Lorraine Hansberry (1930 &#8211; 1965)<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-11 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Hansberry\u2019s legacy in theatre is marked by her focus on the struggles of black Americans, African liberation, and sexual freedom \u201850s and \u201860s. Hansberry grew up around prominant Black intellectuals including W.E.B. Dubois and Paul Robeson. In 1959, Hansberry became the youngest American playwright and the fifth female playwright to receive the New York Drama Critics Circle Award for Best Play. Her play, <\/span><i><span style=\"font-weight: 400;\">A Raisin in the Sun, <\/span><\/i><span style=\"font-weight: 400;\">earned her this honor; she was 29. <\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b><span style=\"font-weight: 400;\"> Hansberry was the first black woman to write a play performed on Broadway.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays:<\/b> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2794\/raisin-in-the-sun-a\"><i><span style=\"font-weight: 400;\">A Raisin in the Sun<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/5696\/sign-in-sidney-brusteins-window-the\"><i><span style=\"font-weight: 400;\">The Sign in Sidney Brustein\u2019s Window<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2818\/to-be-young-gifted-and-black\"><i><span style=\"font-weight: 400;\">To Be Young, Gifted, and Black<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/4967\/les-blancs-the-whites\"><i><span style=\"font-weight: 400;\">Les Blancs (The Whites)<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Adrienne Kennedy (1931 &#8211; )<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-12 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Kennedy\u2019s works address racism, violence, kinship, and alienation in the lives of Black Americans. She is most known for her use of surrealism and plot-less stories that borrow from mythical, historical, and make-believe figures that help to illustrate the human experience. Kennedy won two Obie Awards, one in 1964 for Distinguished Play for <\/span><i><span style=\"font-weight: 400;\">Funnyhouse of a Negro <\/span><\/i><span style=\"font-weight: 400;\">and the other in 1996 for Best New American Play for <\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/60372\/jean-and-june-in-concert-concert-of-their-lives\"><i><span style=\"font-weight: 400;\">June and Jean in Concert<\/span><\/i><\/a><\/span><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Sleep Deprivation Chamber.<\/span><\/i><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">Suzanne Alexander, one of Kennedy\u2019s characters, has recurring appearances in many of Kennedy\u2019s plays; they are collected in a publication called <\/span><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.amazon.com\/Alexander-Plays-Lecture-Adrienne-Kennedy\/dp\/0816620776\/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1471450865&amp;sr=1-1&amp;keywords=the+alexander+plays%2C+kennedy\"><i><span style=\"font-weight: 400;\">The Alexander Plays<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">.<\/span><\/i><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays:<\/b> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2015\/funnyhouse-of-a-negro\"><i><span style=\"font-weight: 400;\">Funnyhouse of a Negro<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=2999\"><i><span style=\"font-weight: 400;\">Sleep Depravation Chamber<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/56872\/diary-of-lights-new-york-about-1955\"><i><span style=\"font-weight: 400;\">Diary of Lights: New York About 1955<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2569\/ohio-state-murders\"><i><span style=\"font-weight: 400;\">Ohio State Murders<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">John Guare (1938 &#8211; )<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-13 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Guare began writing one acts and short plays that featured absurdist plots and high comedy. His style later focused on domestic dramas that are simultaneously poignant and comedic. His play <\/span><i><span style=\"font-weight: 400;\">The House of Blue Leaves <\/span><\/i><span style=\"font-weight: 400;\">premiered Off-Broadway in 1971 and has been revived several times since then. In 1991, <\/span><i><span style=\"font-weight: 400;\">Six Degrees of Separation <\/span><\/i><span style=\"font-weight: 400;\">won an Obie Award for Best Play and was a finalist for the Pulitzer Prize.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b><span style=\"font-weight: 400;\"> Guare was homeschooled for most of his teens, which allowed him to see popular films. These films would inspire him to become a writer.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays: <\/b><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2896\/house-of-blue-leaves-the\"><i><span style=\"font-weight: 400;\">The House of Blue Leaves<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=959\"><i><span style=\"font-weight: 400;\">Six Degrees of Separation<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=3001\"><i><span style=\"font-weight: 400;\">Lydie Breeze<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1382\"><i><span style=\"font-weight: 400;\">Landscape of the Body<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=4711\"><i><span style=\"font-weight: 400;\">A Free Man of Color<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">David Mamet (1947 &#8211; )<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-14 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">A founding member of the Atlantic Theatre Company, Mamet won the Pulitzer Prize for Drama for his play\u00a0<\/span><i><span style=\"font-weight: 400;\">Glengarry Glen Ross <\/span><\/i><span style=\"font-weight: 400;\">in\u00a0<\/span><span style=\"font-weight: 400;\">1984. His style of writing dialogue &#8212; short lines that feature characters using language manipulatively &#8212; has been dubbed \u201cMamet speak\u201d. His writing oftentimes focuses on male friendship and the subliminal ways in which characters display affection for each other, suggesting homosexual preferences underneath heterosexual guises.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b><span style=\"font-weight: 400;\"> His daughter is Zosia Mamet of the HBO series <\/span><i><span style=\"font-weight: 400;\">Girls<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays:<\/b> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2903\/glengarry-glen-ross\"><i><span style=\"font-weight: 400;\">Glengarry Glen Ross<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=853\"><i><span style=\"font-weight: 400;\">Oleanna<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2907\/speed-the-plow\"><i><span style=\"font-weight: 400;\">Speed-the-Plow<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2817\/life-in-the-theatre-a\"><i><span style=\"font-weight: 400;\">A Life in the Theatre<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/2736\/sexual-perversity-in-chicago\"><i><span style=\"font-weight: 400;\">Sexual Perversity in Chicago<\/span><\/i><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">August Wilson (1945 &#8211; 2005)<\/h4>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-15 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Wilson\u2019s work\u00a0addresses the comic and tragic aspects of African American life in Pittsburgh during the 20th century. His plays, each depicting a different decade, are called\u00a0<em>The Pittsburgh Cycle<\/em>. The characters in Wilson\u2019s plays are largely based on people he met when he began working menial jobs at 16. He was awarded the Pulitzer Prize for Drama in 1987 and 1990, respectively, for <\/span><i><span style=\"font-weight: 400;\">Fences <\/span><\/i><span style=\"font-weight: 400;\">and <\/span><i><span style=\"font-weight: 400;\">The Piano Lesson<\/span><\/i><span style=\"font-weight: 400;\">, the former winning the 1987 Tony Award for Best Play.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\"><strong>Trivia:<\/strong> Wilson, mostly self-taught after dropping out of schools due to racial hostility, learned to read at the age of four and frequented the Carnegie Library of Pittsburgh. The library later awarded him an honorary high school diploma.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular Plays:<\/b> <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/7623\/gem-of-the-ocean\"><i><span style=\"font-weight: 400;\">Gem of the Ocean<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/3856\/joe-turners-come-and-gone\"><i><span style=\"font-weight: 400;\">Joe Turner\u2019s Come and Gone<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/7625\/piano-lesson-the\"><i><span style=\"font-weight: 400;\">The Piano Lesson<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/3858\/fences\"><i><span style=\"font-weight: 400;\">Fences<\/span><\/i><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.samuelfrench.com\/p\/7627\/king-hedley-ii\"><i><span style=\"font-weight: 400;\">King Hedley II<\/span><\/i><\/a> <\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Ashleigh Gardner<\/strong>\u00a0received her AA in Theatre\/Drama\/Dramatic Arts\u00a0from Valencia College and\u00a0her Bachelors Degree in English Literature and\u00a0Masters Degree in Literary, Cultural, and Textual Studies from\u00a0the University of Central Florida. She is a playwright, an actor, and PerformerStuff.com\u2019s Editor.<\/em><\/h5>\n<p>Thumbnail:\u00a0Photo by <a href=\"https:\/\/unsplash.com\/photos\/mk7D-4UCfmg?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Florian Klauer<\/a> on <a href=\"https:\/\/unsplash.com\/search\/photos\/writer?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Unsplash<\/a><\/p>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":5989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[470,259,263,272,453],"tags":[382,8,308,304,168,166,14],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/996"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=996"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/996\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/5989"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}