{"id":9070,"date":"2021-03-25T15:27:50","date_gmt":"2021-03-25T15:27:50","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=9070"},"modified":"2021-04-01T17:55:49","modified_gmt":"2021-04-01T17:55:49","slug":"performer-stuff-presents-in-the-holding-room-industry-podcast-episode-7","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/performer-stuff-presents-in-the-holding-room-industry-podcast-episode-7\/","title":{"rendered":"Performer Stuff Presents &#8220;In the Holding Room&#8221; Industry Podcast Episode 7"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3 style=\"text-align: left;\"><span class=\"unknown\">Performer Stuff Presents &#8220;In the Holding Room&#8221; Industry Podcast Episode 7<br \/>\n<\/span><\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2021\/04\/christiaan-headshot-small.jpeg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by: Christiaan Abbott<\/p>\n<p>March 24, 2021<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p>Performer Stuff continues with \u201cIn the Holding Room\u201d. The podcast, hosted by Christiaan Abbott, features industry insiders and Broadway professionals to help you crush your next audition! New episodes will drop on Performer Stuff every Wednesday.<\/p>\n<p><strong>Episode Summary<\/strong><\/p>\n<p><span style=\"color: #000000;\"><strong><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/www.nyfa.edu\/musical-theatre\/\" target=\"_blank\">Matthew Goodgame<\/a><\/span><\/strong> in \u201cPerformers Spotlight\u201d tells us what it was like auditioning for some of the shows he has been in, on the West End and around the world, and some tips he uses to keep his cool. In \u201cThank You 5\u201d I\u2019ll be talking about the embarrassing situation I got put in as a young dancer, and how teachers and instructors can avoid doing this to others. In \u201cProfessor\u2019s Corner\u201d, Ralph Perkins will be getting real when it comes to your college program and why you need to earn the right for your teacher to give you notes. <\/span><\/p>\n<p><strong> Intro to this Episode<\/strong><\/p>\n<p>In this episode of \u201cIn The Holding Room\u201d we are joined by performer, Matthew Goodgame for \u201cPerformer Spotlight\u201d. Recently, Matthew was Sky Masterson at the Th\u00e9\u00e2tre Marigny in Paris, and he starred in 42nd Street at Theatre Royal, Drury Lane in London as Pat Denning and U\/S Julian Marsh. Just a few of his other credits include: Billy Flynn in Chicago, Greaseball in Starlight Express, Billy Crocker in Anything Goes, and Danny Zuko in Grease In \u201cThank you 5\u201d this week: Do you know what a dance belt is? Did you when you were 10? I didn\u2019t. Man, I wish someone told me\u2026here\u2019s why. Ralph Perkins has choreographed professionally for several regional theaters across the country, as well as Las Vegas venues. Among his credits are La Cage Aux Folles, Camelot and 1776 for Goodspeed Musicals, South Pacific for The Asolo Repertory Theater and Papermill Playhouse, The Wizard of Oz, Hello Dolly! (nominated for best choreography St. Louis Critics Circle Awards) South Pacific and The King and I for The Muny in St. Louis, and Sweet Charity for The Barrington Stage Company. Ralph also choreographed Follies and Sunday in the Park with George (winner of the &#8220;Louie&#8221; Award for best musical) for The Repertory Theater of St. Louis, as well as Urinetown, The Musical and Kiss Me Kate, in which he received Kevin Kline Award nominations for outstanding choreography. Residing and working in Las Vegas, Nevada for many years, Ralph was choreographer for EFX starring Tommy Tune at the MGM Grand, Tournament of Kings at the Excalibur and he also worked with Siegfried and Roy at The Mirage, to name a few. In 2002 Ralph relocated to West Hartford, CT to become Director of Dance for Theatre at The Hartt School, University of Hartford. Ralph is also on the adjunct faculty of The Hartt School dance division, teaching the Martha Graham Technique.<\/p>\n<p style=\"text-align: center;\"><strong>Click on the video below to watch &#8220;In the Holding Room&#8221; Episode 7<br \/>\n<\/strong><\/p>\n<p><script src=\"https:\/\/cdn.jwplayer.com\/libraries\/F5uP9Qcx.js\"><\/script><br \/>\n<script src=\"https:\/\/cdn.jsdelivr.net\/npm\/js-cookie@2\/src\/js.cookie.min.js\"><\/script><\/p>\n<div id=\"player\"><\/div>\n<p><script>\/\/ <!&#091;CDATA&#091;\n           const playerInstance = jwplayer(\"player\").\n                                setup({ file: \"https:\/\/performerstuff.com\/images\/podcast\/Podcast_EP_7.mp4\", image: \"https:\/\/performerstuff.com\/images\/productpage\/banners\/ thumb_episode_07.jpg \", width: \"100%\", height: 100});\n   \n\/\/ &#093;&#093;><\/script><\/p>\n<p style=\"text-align: center;\"><strong>Click below to listen to all available episodes:<\/strong><br \/>\n<script src=\"https:\/\/cdn.jsdelivr.net\/npm\/js-cookie@2\/src\/js.cookie.min.js\"><\/script><br \/>\n<a href=\"https:\/\/performerstuff.com\/in_the_holding_room\" target=\"_BLANK\"> <img class=\"aligncenter\" style=\"width: 600px;\" src=\"https:\/\/performerstuff.com\/images\/productpage\/banners\/ITHR_Home-Page-Banner.jpg\" \/> <\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div>\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":9071,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[6,160,12,238,271,50,39,277,1095,330,292],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/9070"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=9070"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/9070\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/9071"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=9070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=9070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=9070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}