{"id":8659,"date":"2020-08-24T18:42:31","date_gmt":"2020-08-24T18:42:31","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=8659"},"modified":"2020-08-24T18:44:09","modified_gmt":"2020-08-24T18:44:09","slug":"how-to-memorize-your-lines-for-film-and-television","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/how-to-memorize-your-lines-for-film-and-television\/","title":{"rendered":"How To Memorize Your Lines for Film and Television"},"content":{"rendered":"

How To Memorize Your Lines for Film and Television<\/strong><\/h3>\n \"\"<\/a><\/span>

Written by: Rachel Comeau<\/p>\n

August 24, 2020<\/p>\n<\/font>

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If you come from a theater background, you’re accustomed to having rehearsal time to work on lines. Film and television move quickly, which means you have to memorize now! But working fast won’t help commit those lines to memory. You’ll be amazed at what you remember when you follow these tips. Take a deep breath, and let’s get started!<\/p>\n

First tip: DON’T MEMORIZE.<\/strong><\/h4>\n
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It may sound counter-intuitive but stay with it. Memorizing is something you do quickly before a test to remember facts, dates, and formulas. There is no test here. Don’t think, “I have to memorize my lines!” That causes stress and anxiety, which will only hurt you. Instead, think, “I want to understand this scene.” If you start from a place of wanting to understand, your heart and mind will be open. If you know the reason behind the words, the lines will come.<\/p>\n

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Second tip: READ THE SCRIPT!\u00a0<\/strong><\/h4>\n
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You only get to read a script for the first time once! This first read is the closest you will ever get to experience the story as an audience member. So make it count. Don’t read the script from your character’s perspective. Just read and experience. When you’ve finished the script, ask yourself, “What happened?” If you had to boil it down to one sentence, what would your answer be? Keep it simple; Your first instincts are usually correct.<\/p>\n

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Third\u00a0tip: READ THE SCRIPT\u00a0AGAIN!<\/strong><\/h4>\n
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Only this time, read like a detective. Your goal is to determine the “given” circumstances. You can go back to Uta Hagen’s questions on given conditions to help. Take note of the location, time, weather, beliefs, education, ages, relationships, etc. Note all the clues you find. Finding the “givens” in a script will help you understand the story and help you know your character on a deeper level.<\/p>\n

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Fourth\u00a0tip: READ THE SCRIPT AGAIN!\u00a0<\/strong><\/h4>\n
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Yup, that’s right. Reread it. This time read from the perspective of your character. Take all of the information you gained from your previous reads and ask yourself, “What does your character want?” If you’ve done the work so far, learning your lines will be a lot easier because they won’t just be senseless words – you’ll have meaning behind what you are saying!<\/p>\n

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Fifth tip: ASK WHY!\u00a0<\/strong><\/h4>\n
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Now that you’ve done vital work on understanding the story and your character, you can start working on the lines themselves. Go line by line, word by word, and really pay attention to each detail. Then ask yourself, “why”? Why are you saying this? When you read the other character’s lines, ask yourself, how does this make me feel? What specifically do they say that triggers you to respond? What do you say that triggers them to speak? Never stop asking why! There is a reason, a thought, a feeling behind every word you speak. Discover it! Once you know why you’re saying something, you’ll never forget.<\/p>\n

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Sixth Tip: NOTICE PATTERNS.\u00a0<\/strong><\/h4>\n
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You know how Shakespeare will have a line where most words start with an S? Maybe your lines have a pattern of their own. Rhyming couplets may not be as common in modern scripts, but if you look for patterns, you will find them- Even if it’s something silly that no one else would notice. If it makes sense to you, you’ll remember it!<\/p>\n

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Seventh tip: PRACTICE, PRACTICE, PRACTICE.<\/strong><\/h4>\n
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To make sure your lines are committed to memory, grab an index card or a sheet of paper, and cover your script. Say your line aloud, then move the index card down to reveal your first set of dialogue. If you got it right, keep moving. Read your partner\u2019s lines in your head and then respond. If you\u2019re right again, keep going. If you get something wrong, go back to the top and start again. May sound pain-staking but it works. Another great way to practice this technique is with a friend. If you get a line wrong, have them correct you and start again from the top.<\/p>\n

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Eighth tip: SLEEP!\u00a0<\/strong><\/h4>\n
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That’s right! One of the best ways to commit anything to memory is sleep. The learning and memory process requires three functions. One of which is consolidation. Consolidation is the process where recently learned experiences are transferred into long term memory. Research suggests this process takes place when you sleep. Lucky you! Now, jump into bed and memorize those lines!<\/p>\n

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Final tip: DON’T SKIP ANYTHING.<\/strong><\/h4>\n
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There are no shortcuts when it comes to memorizing. Memorizing is like a muscle. The more you practice, the stronger you’ll get. The more you practice, the more you’ll discover which way works for you. Knowing your lines is essential, but so is bringing a fully developed character with strong choices to set. So don’t skip steps. Take everything one word at a time.<\/p>\n
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Need some advice? We\u2019ve got you covered.<\/h3>\n