{"id":846,"date":"2016-08-02T01:03:04","date_gmt":"2016-08-02T01:03:04","guid":{"rendered":"http:\/\/mgs.performerstuff.com\/?p=846"},"modified":"2018-08-23T18:45:00","modified_gmt":"2018-08-23T18:45:00","slug":"diva-alert-1-ethel-merman","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/diva-alert-1-ethel-merman\/","title":{"rendered":"Diva Alert #1 : Ethel Merman"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3>Diva Alert\u00a0#1\u00a0: Ethel Merman<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"http:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/large-13015398_10208783920372319_8251907998121298385_n.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by Jackson Upperco<\/p>\n<p>August 1, 2016<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">Welcome to &#8220;Diva Alert&#8221;, Performer Stuff\u2019s newest series on Great Dames from the Golden Age of Broadway. In these posts, we\u2019ll take a look at some of the American Musical Theatre\u2019s most legendary ladies, along with their seminal stage triumphs. We open now with the Queen herself&#8230;<\/p>\n<p style=\"text-align: left;\">She had the voice of a clarion and the mouth of a sailor. Hailed as the First Lady of the American Musical Theatre, she personified every notion we have today of the great Broadway dame: brass, bravado, and belt. She had all the top composers of the time clamoring to write original scores just for her, and she gave her diva successors a sound they would long strive to emulate. But no one could do it like her. No one could do it like Merman.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img src=\"http:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/ONE.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">Ethel Merman was a 22-year-old stenographer from Queens when she was cast in a new Gershwin musical that made her \u2013 quite literally \u2013 an overnight sensation.\u00a0 Over the next forty years of her career, Merman would open thirteen\u00a0original musicals, five of which were composed just for her by Broadway\u2019s most erudite songsmith, Cole Porter. Her biggest theatrical success, however, came in 1946 when she played sharpshooter Annie Oakley in Irving Berlin\u2019s classic <em>Annie Get Your Gun<\/em>. Yet audiences today remember Merman best for her turn as Madame Rose in <em>Gypsy <\/em>(1959), a performance that is now the stuff of theatre folklore.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-3 hover-type-none\"> <img src=\"http:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/59ow1fr1a4n31wr5.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">La Merm had a reputation for tolerating no B.S. She rarely missed performances, could let out a string of expletives like a pro, and rarely held back what was on her mind. She was also a TV favorite, appearing quite frequently to promote projects like <em>The Ethel Merman Disco Album<\/em> (1979), a collection of her greatest hits set to a funky disco beat. It\u2019s now a camp classic. She died in 1984 at the age of 76 after a battle with brain cancer. In her own words: \u201cBroadway has been very good to me. But then, I&#8217;ve been very good to Broadway.\u201d That, Miss Merman, was an understatement.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-4 hover-type-none\"> <img src=\"http:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/TWO.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4><strong>Merman Roles You Should Know<\/strong><\/h4>\n<h4 style=\"text-align: left;\">Kate Fothergill in <em>Girl Crazy <\/em>(1930)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qEJqtnd5gdQ?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p>Merman had three numbers in her Broadway debut, including the Gershwins\u2019 jubilant \u201cI Got Rhythm.\u201d When she stood on the stage and belted her 22-year-old heart out, a star was born.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Reno Sweeney in <em>Anything Goes <\/em>(1934)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zdT63GVMJUE?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p>In the first of five collaborations with Cole Porter, Merman introduced several standards, including the poignant \u201cI Get A Kick Out Of You\u201d, the cheeky \u201cYou\u2019re The Top\u201d and the rousing \u201cBlow, Gabriel, Blow.\u201d<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Annie Oakley in <em>Annie Get Your Gun <\/em>(1946)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1HXRWEXg1ek?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p>Merman proved to be more than just a belter when she took on the title role in this American classic that featured the greatest anthem for show folk ever written: \u201cThere\u2019s No Business Like Show Business.\u201d<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Sally Adams in <em>Call Me Madam <\/em>(1950)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/U6Rxa1rXB_4?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p>In her only Tony Award winning performance, Merman played an American ambassador to a fictional European country. She got to recreate her role in the 1953 film adaptation.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Madame Rose in <em>Gypsy <\/em>(1959)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1Tg1r9yW8c0?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p>The final musical that Merman opened, <em>Gypsy <\/em>remains a cultural evergreen. Many divas have taken on the role of the infamous Rose, but ask anyone who was lucky enough to see Merman, and they\u2019ll tell you no one has done it better.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Jackson Upperco<\/strong> is a lover of retro television, forgotten Broadway\u00a0musicals, and Pre-Code Hollywood. He boasts a Bachelors Degree in\u00a0Film and Television from Boston University. You can keep up with all of\u00a0his entertainment interests at\u00a0<a href=\"http:\/\/jacksonupperco.com\/\" target=\"_blank\">jacksonupperco.com<\/a>.<\/em><\/h5>\n<h5>Thumbnail: Public Domain.<\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":6196,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[264,259,260,269,265],"tags":[106,370,369,150,319,82,56],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/846"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=846"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/6196"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}