{"id":6237,"date":"2018-08-25T22:00:24","date_gmt":"2018-08-25T22:00:24","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=6237"},"modified":"2020-04-23T19:46:05","modified_gmt":"2020-04-23T19:46:05","slug":"20-plays-by-women-to-pick-up-today","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/20-plays-by-women-to-pick-up-today\/","title":{"rendered":"20 Plays by Women to Pick Up TODAY"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3 style=\"text-align: left;\">20 Plays by Women to Pick Up TODAY<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2017\/06\/ashleigh2.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by\u00a0Ashleigh Gardner<\/p>\n<p>August 26, 2018<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Women&#8217;s Equality Day is August 26th, and what better way to celebrate than reading plays by women about women? Below, find a list of 20 plays we highly recommend reading this month.\u00a0<\/span><\/p>\n<span class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2018\/08\/1_20-Plays-by-Women-to-Pick-Up-TODAY.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><h4 style=\"text-align: left;\"><i>Top Girls<\/i> by Caryl Churchill<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201cMarlene has been promoted to managing director of a London employment agency and is celebrating. The symbolic luncheon is attended by women in legend or history who offer perspectives on maternity and ambition. In a time warp, these ladies are also her co-workers, clients, and relatives. Marlene, like her famous guests, has had to pay a price to ascend from proletarian roots to the executive suite: she has become, figuratively speaking, a male oppressor, and even coaches female clients on adopting odious male traits. Marlene has also abandoned her illegitimate and dull-witted daughter. Her emotional and sexual life has become as barren as Lady Macbeth&#8217;s.\u201d &#8211; Samuel French<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/p\/1798\/top-girls\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Crimes of the Heart<\/i> by Beth Henley<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">The scene is Hazlehurst, Mississippi, where the three Magrath sisters have gathered to await news of the family patriarch, their grandfather, who is living out his last hours in the local hospital. Lenny, the oldest sister, is unmarried at thirty and facing diminishing marital prospects; Meg, the middle sister, who quickly outgrew Hazlehurst, is back after a failed singing career on the West Coast; while Babe, the youngest, is out on bail after having shot her husband in the stomach. Their troubles, grave and yet, somehow, hilarious, are highlighted by their priggish cousin, Chick, and by the awkward young lawyer who tries to keep Babe out of jail while helpless not to fall in love with her. In the end the play is the story of how its young characters escape the past to seize the future\u2014but the telling is so true and touching and consistently hilarious that it will linger in the mind long after the curtain has descended.\u201d <\/span><span style=\"font-weight: 400;\">&#8211; Dramatists Play Service<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1271\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Detroit \u201867 <\/i>by Dominique Morisseau<\/h4>\n<br><p style=\"text-align: left;\">\u201cIn 1967 Detroit, Motown music is getting the party started, and Chelle and her brother Lank are making ends meet by turning their basement into an after-hours joint. But when a mysterious woman finds her way into their lives, the siblings clash over much more than the family business. As their pent-up feelings erupt, so does their city, and they find themselves caught in the middle of the &#8217;67 riots.\u201d &#8211; Samuel French<\/p>\n<p style=\"text-align: left;\">Get the play <span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/p\/12567\/detroit-67\" target=\"_blank\">here<\/a><\/strong><\/span>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Machinal <\/i>by Sophie Treadwell<\/h4>\n<br><p style=\"text-align: left;\">\u201cA major rediscovery of a forgotten woman playwright of the twenties, which was published alongside Stephen Daldry&#8217;s monumental National Theatre production starring Fiona Shaw. Machinal was the winner of four Olivier Awards. Sophie Treadwell&#8217;s play is an immensely powerful expressionist drama from the 1920s about the dependent status of women in an increasingly mechanised society, based on the true story of Ruth Snyder who was executed in 1928 for the murder of her husband.\u201d &#8211; Samuel French<\/p>\n<p style=\"text-align: left;\">Get the play <span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/s\/30486\/machinal\" target=\"_blank\">here<\/a><\/strong><\/span>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Trifles <\/i>by Susan Glaspell<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><i><span style=\"font-weight: 400;\">Trifles<\/span><\/i><span style=\"font-weight: 400;\"> is unusually powerful and effective, and gives fine roles for two good actresses. The wife of a strangled farmer is arrested on suspicion. While officers and neighbors are searching the old farmhouse for evidence, two women friends discover a slain canary and a broken cage. This evidence can prove the wife guilty, but by keeping her secret, they free her. An American classic by one of the original members of the Provincetown Playhouse, where this play was premiered.\u201d &#8211; Samuel French<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/s\/7552\/trifles\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Eclipsed<\/i> by Danai Gurira<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">Their lives set on a nightmarish detour by civil war, the captive wives of a Liberian rebel officer form a hardscrabble sisterhood. With the arrival of a new girl who can read\u2014and the return of an old one who can kill\u2014their possibilities are quickly transformed. Drawing on reserves of wit and compassion, these defiant survivors ask: When the fog of battle lifts, could a different destiny emerge? ECLIPSED offers a chilling, humanizing and surprisingly funny portrait of transformation and renewal. With wit, compassion, and defiance, this gripping play unearths the wreckage of war and celebrates the women who navigate and survive the most hostile of circumstances.\u201d &#8211; Samuel French<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/s\/13332\/eclipsed\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>for colored girls who have considered suicide \/ when the rainbow is enuf<\/i> by Ntozake Shange<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">Capturing the brutal, tender and dramatic lives of contemporary Black women, <\/span><i><span style=\"font-weight: 400;\">For Colored Girls&#8230;<\/span><\/i><span style=\"font-weight: 400;\"> offers a transformative, riveting evening of provocative dance, music and poetry.\u201d &#8211; Samuel French<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/p\/6690\/for-colored-girls-who-have-considered-suicide-when-the-rainbow-is-enuf\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Sex<\/i> by Mae West<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">Set in a Montreal brothel, the play confronts the issue of women separated by class and attitudes of sexuality. West&#8217;s character learns the painful lesson that women are not bound in sisterhood simply because they have both shared the betrayal of men.\u201d &#8211; Goodreads<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play (and others) <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.amazon.com\/Three-Plays-Sex-Drag-Pleasure\/dp\/0415909333\/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1535139313&amp;sr=1-1&amp;keywords=Sex+by+Mae+West\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>The Heidi Chronicles <\/i>by Wendy Wasserstein<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">Comprised of a series of interrelated scenes, the play traces the coming of age of Heidi Holland, a successful art historian, as she tries to find her bearings in a rapidly changing world. Gradually distancing herself from her friends, she watches them move from the idealism and political radicalism of their college years through militant feminism and, eventually, back to the materialism that they had sought to reject in the first place. Heidi&#8217;s own path to maturity involves an affair with the glib, arrogant Scoop Rosenbaum, a womanizing lawyer\/publisher who eventually marries for money and position; a deeper but even more troubling relationship with a charming, witty young pediatrician, Peter Patrone, who turns out to be gay; and increasingly disturbing contacts with the other women, now much changed, who were a part of her childhood and college years.\u201d &#8211; Dramatists Play Service<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=988\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>The Little Foxes <\/i>by Lillian Hellman<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">Picture a charming home in the South. Into this peaceful scene put the prosperous, despotic Hubbard family\u2014Ben, possessive and scheming; Oscar, cruel and arrogant; Oscar\u2019s son Leo, weak and unprincipled; Regina, wickedly clever\u2014each trying to outwit the other. In contrast, meet lonely intimidated Birdie, whom Oscar wed for her father\u2019s cotton fields; wistful Alexandra, Regina\u2019s daughter; and Horace, ailing husband of Regina, between whom a breach has existed for years. The conflict in these lives has been caused by Ben\u2019s ambition to erect a cotton mill. The brothers still lack $75,000 to complete the transaction. This, they hope, will come from Horace, who has been in a hospital with a heart ailment. Horace is beset by his relatives the first hour of his homecoming, but refuses to commit himself. Desperate, Leo and Oscar plan for Leo to take $80,000 worth of bonds from Horace\u2019s safe-deposit box.\u201d &#8211; Dramatists Play Service<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1845\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Girl. <\/i>by Megan Mostyn-Brown<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">A play about what it means to be a &#8220;girl&#8221; in this day and age. The girls in this play show great strength, revealing their vulnerabilities in language that is honest and extremely compelling. Split into three sections, the characters speak entirely in monologues (with some overlap), providing great material for auditions and monologue work.<\/span><span style=\"font-weight: 400;\">\u201d &#8211; Amazon<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.amazon.com\/Girl-Megan-Mostyn-Brown\/dp\/0573651043\/ref=pd_sim_14_4?_encoding=UTF8&amp;pd_rd_i=0573651043&amp;pd_rd_r=a05c7830-a7d4-11e8-8742-1712fd196554&amp;pd_rd_w=TeHt4&amp;pd_rd_wg=heMMx&amp;pf_rd_i=desktop-dp-sims&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_p=a180fdfb-b54e-4904-85ba-d852197d6c09&amp;pf_rd_r=K3FKQ7HXSPT8HMA0PN85&amp;pf_rd_s=desktop-dp-sims&amp;pf_rd_t=40701&amp;psc=1&amp;refRID=K3FKQ7HXSPT8HMA0PN85\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Venus <\/i>by Suzan-Lori Parks<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">In 1810, The Venus Hottentot (as she is dubbed)\u2014a young black woman with an enormous posterior\u2014is lured away from her menial job in South Africa to tour the world and make lots of money. Once in England, however, she is sold to a freak show and becomes a star. She shows off her attribute, bringing in crowds and raking in money for the sideshow owners. Quickly becoming adept at displaying herself and understanding what the people want from her as a freak, she even tries to break out on her own, but can&#8217;t quite master that in those social times. Eventually, she is procured by a white doctor who is more than fascinated with her. He falls in love with her and keeps her as his mistress until he is in danger of losing his medical reputation and social standing. Venus, who journeyed to Europe with high hopes, at the end of her short life, was dissected by the man she loved.\u201d &#8211; Dramatists Play Service<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=1940\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Fefu and Her Friends <\/i>by Mar\u00eda Irene Forn\u00e9s<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201cThis is one of the best-loved Off-Off-Broadway plays of recent decades. In the innovative original production, which Fornes herself directed, the audience follows the lives of eight women in five different \u2018environments.\u2019\u201d &#8211; Amazon<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/www.amazon.com\/Fefu-Friends-Maria-Irene-Fornes\/dp\/155554052X\" target=\"_blank\"><b>here<\/b><\/a><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>In the Next Room (or the Vibrator Play) <\/i>by Sarah Ruhl<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201cSet in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat &#8216;hysterical&#8217; women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household.\u201d &#8211; Samuel French<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/p\/1994\/in-the-next-room-or-the-vibrator-play\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Straight White Men <\/i>by Young Jean Lee<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Features female stagehands and two characters of nonbinary gender identity. \u201cWhen Ed and <\/span><span style=\"font-weight: 400;\">his three adult sons come together to celebrate Christmas, they enjoy cheerful trash-talking, pranks, and takeout Chinese. Then they confront a problem that even being a happy family can\u2019t solve: When identity matters, and privilege is problematic, what is the value of being a straight white man?<\/span><span style=\"font-weight: 400;\">\u201d- Dramatists Play Service<\/span><\/p>\n<p style=\"text-align: left;\">Get the play <span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=5483\" target=\"_blank\"><span style=\"text-decoration: underline;\"><strong>here<\/strong><\/span><\/a><\/span>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Body Awareness <\/i>by Annie Baker<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">It\u2019s Body Awareness Week on a Vermont college campus and Phyllis, the organizer, and her partner, Joyce, are hosting one of the guest artists in their home: Frank, a photographer famous for his female nude portraits. Both his presence in the home and his chosen subject instigate tension from the start. Phyllis is furious at his depictions, but Joyce is actually rather intrigued by the whole thing, even going so far as to contemplate posing for him. As Joyce and Phyllis bicker, Joyce\u2019s adult son, who may or may not have Asperger syndrome, struggles to express himself physically \u2013 with heartbreaking results.\u201d &#8211; Samuel French<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/p\/1140\/body-awareness\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Milk Like Sugar <\/i>by Kirsten Greenidge<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201cIt is Annie Desmond\u2019s sixteenth birthday and her friends have decided to help her celebrate in style, complete with a brand new tattoo. Before her special night is over, however, Annie and her friends enter into a life altering pact. When Annie tries to make good on her promise to her friends, she is forced to take a good look at the world that surrounds her. She befriends Malik, who promises a bright future, and Keera, whose evangelical leanings inspire Annie in a way her young parents have not been able to do. In the end Annie\u2019s choices propel her onto an irreversible path in this story that combines wit, poetry, and hope.\u201d &#8211; Samuel French<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/p\/5779\/milk-like-sugar\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Mary Jane <\/i>by Amy Herzog<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201cAs Mary Jane navigates both the mundane and the unfathomable realities of caring for Alex, her chronically ill young son, she finds herself building a community of women from many walks of life. Mary Jane is Pulitzer Prize finalist Amy Herzog\u2019s remarkably powerful and compassionate portrait of a contemporary American woman striving for grace.\u201d &#8211; Samuel French<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.samuelfrench.com\/p\/63944\/mary-jane\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><i>Fabulation, or the Re-Education of Undine <\/i>by Lynn Nottage<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">A social satire about an ambitious and haughty African-American woman, Undine Barnes Calles, whose husband suddenly disappears after embezzling all of her money. Pregnant and on the brink of social and financial ruin, Undine retreats to her childhood home in Brooklyn&#8217;s Walt Whitman projects, only to discover that she must cope with a crude new reality. Undine faces the challenge of transforming her setbacks into small victories in a battle to reaffirm her right to be.\u201d &#8211; Dramatists Play Service<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=3485&amp;keysearch=Lynn+Nottage&amp;options=all&amp;limitResult=all&amp;limitResult1=allgenres&amp;total=all&amp;male=all&amp;female=all&amp;melodrama=&amp;romantic=&amp;tragedy=&amp;dark=&amp;farce=&amp;satire=&amp;mystery=&amp;thriller=&amp;historical=\" target=\"_blank\">here<\/a><\/strong><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4><i>Desdemona, a play about a handkerchief <\/i>by Paula Vogel<\/h4>\n<br>\r\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201cHaving slept with Othello&#8217;s entire encampment, Desdemona revels in her bawdy tales of conquest. Her foils and rapt listeners are the other integral and reimagined women of this Shakespeare tragedy: Emilia, Desdemona&#8217;s servant and the wife of Iago, and Bianca, now a majestic whore of Cyprus. The reluctantly loyal Emilia pesters Desdemona about a military promotion for her husband. Her motive, however, is that he leave her a wealthy widow, preferably sooner than later. Bianca, now a street-wise yet painfully naive prostitute, visits Desdemona, thinking she is a very good friend and fellow hooker (at least one night a week). Bianca thinks the worst when she discovers that Desdemona knows intimate details of the life of her lover, Cassio. Though Desdemona has never been intimate with Cassio, her life is soon in danger when her husband, Othello, also suspects her of infidelity.\u201d &#8211; Dramatists Play Service <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Get the play <\/span><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=823\" target=\"_blank\"><b>here<\/b><\/a><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<br>\r\n<br><h3 style=\"text-align: left;\">Interested in reading more plays? Check out our other features below!<\/h3>\n<ul>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/25-plays-all-high-school-seniors-should-read-before-they-graduate\/\">25 Plays All High School Seniors Should Read (Before They Graduate)<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-contemporary-native-american-playwrights-you-should-know\/\">10 Contemporary Native American Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-contemporary-playwrights-of-color-you-should-know\/\">10 Contemporary Playwrights of Color You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-asian-american-playwrights-you-should-know\/\">10 Asian American Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-twentieth-century-latinx-hispanic-and-chicanoa-playwrights-you-should-know\/\">10\u00a0Latinx, Hispanic, and Chicano\/a Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-eighteenth-century-female-playwrights-you-should-know\/\">10 Eighteenth-Century Female Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-nineteenth-century-female-playwrights-you-should-know\/\">10 Nineteenth-Century Female Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/7-classic-russian-playwrights-you-should-know\/\">10 Classic Russian Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/12-elizabethan-and-jacobean-playwrights-you-should-know\/\">12 Elizabethan and Jacobean Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/7-greek-and-roman-playwrights-you-should-know\/\">7 Greek and Roman Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/13-classic-american-playwrights-you-should-know\/\">13 Classic American Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/early-20th-century-broadway-composers-and-lyricists-you-should-know\/\">Early 20th Century Broadway Composers and Lyricists You Should Know<\/a><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5 style=\"text-align: left;\"><em><a href=\"https:\/\/www.ashleighagardner.com\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><strong>Ashleigh Gardner<\/strong><\/span><\/a>\u00a0received her M.A. in Literary, Cultural, and Textual Studies (with concentrations in Contemporary Film, Psychoanalytic Theory, and Gender Studies) and her B.A. in English Literature (with concentrations in Early American Literature, Victorian &amp; Gothic Literature, and Feminisms), both from the University of Central Florida. She is a playwright, a Shakespearean trained actor,\u00a0a dramaturge, and a photographer.<\/em><\/h5>\n<h5 style=\"text-align: left;\">Thumbnail:\u00a0Photo by\u00a0<a href=\"https:\/\/unsplash.com\/photos\/MjShDhbfz0k?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Nathan Dumlao<\/a>\u00a0on\u00a0<a href=\"https:\/\/unsplash.com\/search\/photos\/woman-books?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Unsplash<\/a><\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":6240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[470,259,799,914,263,272],"tags":[698,678,674],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/6237"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=6237"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/6237\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/6240"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=6237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=6237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=6237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}