{"id":5943,"date":"2018-08-03T02:04:55","date_gmt":"2018-08-03T02:04:55","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=5943"},"modified":"2018-08-30T20:22:51","modified_gmt":"2018-08-30T20:22:51","slug":"theatre-in-film-series-cinemas-love-affair-with-the-stage","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/theatre-in-film-series-cinemas-love-affair-with-the-stage\/","title":{"rendered":"Theatre In Film Series: Cinema&#8217;s Love Affair with the Stage"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3 style=\"text-align: left;\">Theatre In Film Series: Cinema&#8217;s Love Affair with the Stage<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2017\/06\/ashleigh2.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by\u00a0Ashleigh Gardner<\/p>\n<p>August 1, 2018<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">From the theatrical sets of\u00a0<em>Viaje a la Luna\u00a0<\/em>(<em>A Trip to the Moon<\/em>) to the big-budget CGI effects in the\u00a0<em>Avengers\u00a0<\/em>series, the world has been obsessed with film. But film wouldn&#8217;t be\u00a0where it is today without the efforts of playwrights, directors, actors, and designers from the stage &#8212; the origin of acting, drama, and storytelling for the masses.<\/span><\/p>\n<p style=\"text-align: left;\">I&#8217;m a theatre geek at heart, but my personal love affair with cinema began when I watched Charlie Kaufman&#8217;s\u00a0<em>Being John Malkovich\u00a0<\/em>for the first time. This love affair continued throughout my post-grad years when I studied contemporary character-centric cinema alongside Victorian literature and gender studies. My\u00a0interests led me\u00a0to the films of Wes Anderson, Orson Welles, Sofia Coppola, David Fincher, P.T. Anderson, Kubrick, Tarantino, Scorsese, Hitchcock, Lynch, and so many others. I love theatre; I adore film. And so &#8220;Theatre in Film&#8221; became a passion project\u00a0that showcases a different movie\u00a0every entry &#8212; movies that celebrate, document, and reveal the\u00a0stories theatre artists experience\u00a0<em>behind the scene<\/em><em>s.\u00a0<\/em>In each entry, I provide the director, the cast list, a synopsis, and a breakdown of\u00a0the film&#8217;s theatrical, cultural, and symbolic meanings. These articles can be used in theatre\u00a0<em>or\u00a0<\/em>film classes or for extra credit assignments. There are roughly five films per unit, and each unit focuses on a different aspect of theatre, ranging from theme\u00a0to\u00a0character style to technical achievements. Take a look. I&#8217;m sure you&#8217;ll find something you identify with.<\/p>\n<p style=\"text-align: left;\">Sincerely,<br \/>\nAshleigh Gardner<br \/>\nPerformer Stuff Editor<\/p>\n<h4 style=\"text-align: left;\">Part 1:\u00a0Behind-the-Scenes Drama in Black and White<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">Classic Hollywood\u00a0films that display theatre and the backstage and home lives of actors, directors, writers, and dancers who inhabit the stage. (Pictured above is\u00a0<em>Limelight\u00a0<\/em>from 1952.)<\/p>\n<ul>\n<li style=\"text-align: left;\"><strong><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-42nd-street-1933\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><em>42nd Street\u00a0<\/em>(1933)<\/span><\/a><\/span><\/strong><\/li>\n<li style=\"text-align: left;\"><strong><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-stage-door-1937\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><em>Stage Door<\/em> (1937)<\/span><\/a><\/span><\/strong><\/li>\n<li style=\"text-align: left;\"><strong><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"http:\/\/performerstuff.com\/mgs\/?p=343\" target=\"_blank\"><em>Les Enfants du Paradis<\/em>\u00a0(<em>Children of Paradise<\/em>) (1945)<\/a><\/span><\/strong><\/li>\n<li style=\"text-align: left;\"><strong><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"http:\/\/performerstuff.com\/mgs\/?p=346\" target=\"_blank\"><em>All About Eve<\/em>\u00a0(1950)<\/a><\/span><\/strong><\/li>\n<li style=\"text-align: left;\"><strong><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"http:\/\/performerstuff.com\/mgs\/theatre-in-film-limelight-1952\/\" target=\"_blank\"><em>Limelight<\/em>\u00a0(1952)<\/a><\/span><\/strong><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Part 2: Comedy and Drama in\u00a0Full Color<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-3 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">The latter years of Classic Hollywood Cinema when Technicolor was new and movie musicals, filled with rich color and vibrant acting, lifted off the screen. With a transition into Part 3 with John Cassavetes&#8217; film\u00a0<em>Opening Night.\u00a0<\/em>(Pictured above is\u00a0<em>The Producers<\/em> from 1967.)<\/p>\n<ul>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-series-the-band-wagon-1953\/\" target=\"_blank\"><em><span style=\"text-decoration: underline;\">The Band Wagon\u00a0<\/span><\/em><\/a><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-series-the-band-wagon-1953\/\" target=\"_blank\">(1953)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"http:\/\/performerstuff.com\/mgs\/theatre-in-film-the-good-companions-1957\/\" target=\"_blank\"><em>The Good Companions<\/em> (1957)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"http:\/\/performerstuff.com\/mgs\/theatre-in-film-series-the-producers-1968\/\" target=\"_blank\"><em>The Producers<\/em> (1967)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-series-the-boy-friend-1971\/\" target=\"_blank\"><em>The Boy Friend<\/em> (1971)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-series-opening-night-1977\/\" target=\"_blank\"><em>Opening Night<\/em> (1977)<\/a><\/span><\/strong><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Part 3: The Struggle of the Theatre Artist<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-4 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">Private struggles of the theatre professional, from directors and choreographers to actors and dancers, informally introduced from John Cassavetes&#8217;\u00a0<em>Opening Night\u00a0<\/em>from Part 2.\u00a0\u00a0(Pictured above is\u00a0<em>A Chorus Line\u00a0<\/em>from 1985.)<\/p>\n<ul>\n<li><span style=\"color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-series-all-that-jazz-1979\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><em>All That Jazz<\/em> (1979)<\/span><\/a><\/strong><\/span><\/li>\n<li><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-series-tootsie-1982\/\" target=\"_blank\"><em>Tootsie <\/em>(1982)<\/a><\/span><\/strong><\/span><\/li>\n<li><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-the-dresser-1983\/\" target=\"_blank\"><em>The Dresser<\/em>\u00a0(1983)<\/a><\/span><\/strong><\/span><\/li>\n<li><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-to-be-or-not-to-be-1983\/\" target=\"_blank\"><em>To Be Or Not To Be<\/em> (1983)<\/a><\/span><\/strong><\/span><\/li>\n<li><span style=\"color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-a-chorus-line-1985\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><em>A Chorus Line<\/em>\u00a0(1985)<\/span><\/a><\/strong><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Part 4: Backstage Drama in the Contemporary Theatre<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-5 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">Interpersonal relationships within theatre \u2014 the love, the complications, and the comedy that inevitably occur when actors, directors, playwrights, and technicians share the same space for extended periods of time. (Pictured above is\u00a0<em>Noises Off!\u00a0<\/em>from 1992.)<\/p>\n<ul>\n<li><span style=\"color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-a-chorus-of-disapproval-1989\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><em>A Chorus of Disapproval<\/em> (1989)<\/span><\/a><\/strong><\/span><\/li>\n<li><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-noises-off-1992\/\" target=\"_blank\"><em>Noises Off!<\/em>\u00a0(1992)<\/a><\/span><\/strong><\/span><\/li>\n<li><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-vanya-on-42nd-street-1994\/\" target=\"_blank\"><em>Vanya on 42nd Street<\/em>\u00a0(1994)<\/a><\/span><\/strong><\/span><\/li>\n<li><span style=\"color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-bullets-over-broadway-1994\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><em>Bullets Over Broadway <\/em>(1994)<\/span><\/a><\/strong><\/span><\/li>\n<li><span style=\"color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-a-midwinters-tale-in-the-bleak-midwinter-1995\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><em>A Midwinter\u2019s Tale (In the Bleak Midwinter)<\/em>\u00a0(1995)<\/span><\/a><\/strong><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Part 5: Ethics, Gender, and Politics in Theatre<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-6 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">Cinema from 1995 to 1999 that feature social, moral, ethical, and political issues within the theatre.\u00a0\u00a0(Pictured above is\u00a0<em>Cradle Will Rock\u00a0<\/em>from 1999.)<\/p>\n<ul>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-an-awfully-big-adventure-1995\/\" target=\"_blank\"><em>An\u00a0Awfully Big\u00a0Adventure\u00a0<\/em>(1995)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-waiting-for-guffman-1996\/\" target=\"_blank\"><em>Waiting for Guffman<\/em>\u00a0(1996)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-shakespeare-in-love-1998\/\" target=\"_blank\"><i>Shakespeare in Love<\/i>\u00a0(1998)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-cradle-will-rock-1999\/\" target=\"_blank\"><em>Cradle Will Rock\u00a0<\/em>(1999)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-topsy-turvy-1999\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><em>Topsy Turvy<\/em> (1999)<\/span><\/a><\/strong><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Part 6: Internal Conflict<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-7 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">Films from 2003 to 2008 that feature characters overcoming internal and very personal struggles to find their happiness in a life of theatre. (Pictured above is\u00a0<em>Me and Orson Welles\u00a0<\/em>from 2008.)<\/p>\n<ul>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-camp-2003\/\" target=\"_blank\"><em>Camp\u00a0<\/em>(2003)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-stage-beauty-2004\/\" target=\"_blank\"><em>Stage Beauty<\/em>\u00a0(2004)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-being-julia-2004\/\" target=\"_blank\"><em>Being Julia<\/em>\u00a0(2005)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-mrs-henderson-presents-2005\/\" target=\"_blank\"><em>Mrs\u00a0Henderson\u00a0Presents\u00a0<\/em>(2005)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-me-and-orson-welles-2008\/\" target=\"_blank\"><em>Me and Orson Welles<\/em> (2008)<\/a><\/span><\/strong><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Part 7: The Gamut<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-8 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong>Films with biting humor, fantastical plots, and theatre family values. (Pictured above is\u00a0<em>Don&#8217;t Think Twice\u00a0<\/em>from 2016.)<\/strong><\/span><\/p>\n<ul>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-synecdoche-new-york-2008\/\" target=\"_blank\"><em>Synecdoche, New York<\/em>\u00a0(2008)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-hamlet-2-2008\/\" target=\"_blank\"><em>Hamlet 2\u00a0<\/em>(2008)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-the-imaginarium-of-doctor-parnassus-2009\/\" target=\"_blank\"><em>The Imaginarium of Doctor Parnassus\u00a0<\/em><\/a><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-the-imaginarium-of-doctor-parnassus-2009\/\" target=\"_blank\">(2008)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-phoebe-in-wonderland-2008\/\" target=\"_blank\"><em>Phoebe in Wonderland<\/em> (2008)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-dont-think-twice-2016\/\" target=\"_blank\"><em>Don\u2019t Think Twice\u00a0<\/em>(2016)<\/a><\/span><\/strong><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Part 8: Personal Struggles\u00a0Meet Professional Obligations<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-9 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">Films that showcase the absurdity\u00a0of a life in the theatre: backstage accidents, drama queens, and ridiculously comedic catastrophes.\u00a0(Pictured above is\u00a0<em>Birdman\u00a0<\/em>from 2014.)<\/p>\n<ul>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-the-last-metro-1980\/\" target=\"_blank\"><em>The Last Metro\u00a0<\/em>(1980)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-the-tall-guy-1989\/\" target=\"_blank\"><em>The Tall Guy<\/em> (1989)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-a-life-in-the-theatre-1993\/\" target=\"_blank\"><em>A Life in the Theatre\u00a0<\/em>(1993)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-birdman-or-the-unexpected-virtue-of-ignorance-%ef%bb%bf2014\/\" target=\"_blank\"><em>Birdman or (The Unexpected Virtue of Ignorance)\u00a0<\/em>(2014)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-opening-night-2016\/\" target=\"_blank\"><em>Opening Night<\/em> (2016)<\/a><\/span><\/strong><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Part 9: Bonus Features<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-10 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">Films that didn&#8217;t make the first cut (holiday films, big-budget musicals), but still\u00a0deserve an honorable mention. (Pictured above is\u00a0<em>White Christmas\u00a0<\/em>from 1954.)<\/p>\n<ul>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-white-christmas-1954\/\" target=\"_blank\"><em>White Christmas\u00a0<\/em>(1954)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-moulin-rouge-2001\/\" target=\"_blank\"><em>Moulin Rouge!<\/em> (2001)<\/a><\/span><\/strong><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #ba9bc9;\"><strong><span style=\"text-decoration: underline;\"><a style=\"color: #ba9bc9; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/theatre-in-film-stage-fright-2014\/\" target=\"_blank\"><em>Stage Fright\u00a0<\/em>(2014)<\/a><\/span><\/strong><\/span><\/li>\n<\/ul>\n<br>\r\n<br><h3 class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Hungry for more theatre history? Check out our other stories below!<\/span><\/h3>\n<ul class=\"ul1\">\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-1-ethel-merman\/\"><span class=\"s3\">Diva Alert #1: Ethel Merman<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-2-mary-martin\/\"><span class=\"s3\">Diva Alert #2: Mary Martin<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-3-marylin-miller\/\"><span class=\"s3\">Diva Alert #3: Marilyn Miller<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-4-gertrude-lawrence\/\"><span class=\"s3\">Diva Alert #4: Gertrude Lawrence<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-5-nanette-fabray\/\"><span class=\"s3\">Diva Alert #5: Nanette Fabray<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-6-gwen-verdon\/\"><span class=\"s3\">Diva Alert #6: Gwen Verdon<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-7-carol-channing\/\"><span class=\"s3\">Diva Alert #7: Carol Channing<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-8-julie-andrews\/\"><span class=\"s3\">Diva Alert #8: Julie Andrews<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-9-barbara-cook\/\"><span class=\"s3\">Diva Alert #9: Barbara Cook<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-10-barbra-streisand\/\">Diva Alert #10: Barbra Streisand<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\">D<a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-11-angela-lansbury\/\">iva Alert #11: Angela Lansbury<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-12-elaine-stritch\/\">Diva Alert #12: Elaine Stritch<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-13-nancy-walker\/\">Diva Alert #13: Nancy Walker<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-14-chita-rivera\/\">Diva Alert #14: Chita Rivera<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-15-dolores-gray\/\">Diva Alert #15: Dolores Gray<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-17-bernadette-peters\/\">Diva Alert #17: Bernadette Peters<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-18-patti-lupone\/\">Diva Alert #18: Patti LuPone<\/a><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline; color: #000000;\"><span class=\"s2\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/performerstuff.com\/mgs\/the-island-of-misfit-plays-coco-1969\/\"><span class=\"s3\">The\u00a0Island of Misfit Plays:\u00a0Coco\u00a0(1969)<\/span><\/a><\/span><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><a href=\"https:\/\/www.ashleighagardner.com\/\" target=\"_blank\"><strong>Ashleigh Gardner<\/strong><\/a>\u00a0received her M.A. in Literary, Cultural, and Textual Studies (with concentrations in Contemporary Film, Psychoanalytic Theory, and Gender Studies) and her B.A. in English Literature (with concentrations in Early American Literature, Victorian &amp; Gothic Literature, and Feminisms), both from the University of Central Florida. She is a playwright, a Shakespearean trained actor,\u00a0a dramaturge, and a photographer.<\/em><\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":5946,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[259,272,265],"tags":[106,159,319,687,80,14,105],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/5943"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=5943"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/5943\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/5946"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=5943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=5943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=5943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}