{"id":5585,"date":"2018-03-26T15:41:08","date_gmt":"2018-03-26T15:41:08","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=5585"},"modified":"2018-08-30T20:21:04","modified_gmt":"2018-08-30T20:21:04","slug":"the-island-of-misfit-plays-caroline-or-change-2003","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/the-island-of-misfit-plays-caroline-or-change-2003\/","title":{"rendered":"The Island of Misfit Plays: Caroline, or Change (2003)"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3>The Island of Misfit Plays: <em>Caroline, or Change<\/em> (2003)<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/10\/clarklevi.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by Clark Levi<\/p>\n<p>March 22, 2018<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p><span style=\"font-weight: 400;\">Welcome back to The Island of Misfit Plays, where forgotten plays and musicals are rediscovered and forgotten no more.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Today we\u2019ll be looking at my absolute favorite musical, <\/span><i><span style=\"font-weight: 400;\">Caroline, or Change<\/span><\/i><span style=\"font-weight: 400;\">. While still fairly produced and known in theatre circles, it mostly goes undiscussed, and in the bloom of Gen-Z theatre geeks I\u2019m a part of, I hear nothing about it. It\u2019s not truly \u201cmisfit\u201d or \u201cforgotten\u201d, but it deserves more attention, so that\u2019s all of the criteria needed. Let\u2019s dive in!<\/span><\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-23-at-9.24.00-AM.png\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><br><br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">In the 1963 set-<\/span><i><span style=\"font-weight: 400;\">Caroline<\/span><\/i><span style=\"font-weight: 400;\">, MLK is marching, JFK is shot, and a Confederate statue is pulled to the ground. All of the characters, especially the stony-faced, hard-working main, Caroline Thibodeaux, are forced to react. How will Caroline deal with her relationships and shifting surroundings? How will all of the characters react to the changing times? The show goes about developing these characters and finding those answers (or lack thereof for some) in surprising, emotionally raw ways.<\/span><\/p>\n<div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UjlYfdKuoTM?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><br><p><span style=\"font-weight: 400;\">After a successful run at the Public Theatre, <\/span><i><span style=\"font-weight: 400;\">Caroline <\/span><\/i><span style=\"font-weight: 400;\">moved to Broadway\u2019s Eugene O\u2019Neill theatre in 2004. Awards and audience buzz ran high. Unfortunately, the show came during the season of a complex green witch and struggling quarter-life puppets, and that might be why it was pushed to the wayside. A fair awards presence <\/span><i><span style=\"font-weight: 400;\">(a tony for supporting actress and 4 other nominations including Best Musical)<\/span><\/i><span style=\"font-weight: 400;\"> helped secure a decent 136 performances but couldn\u2019t establish itself for a longer run, or many tours.<\/span><\/p>\n<p style=\"text-align: left;\"><i><span style=\"font-weight: 400;\">Caroline\u2019s<\/span><\/i><span style=\"font-weight: 400;\"> inability to stick with a larger amount of musical theatre fans is probably due to more than its Bway season. It received mixed reviews from critics and audiences with its run the at the Public and O\u2019Neill. Many critics said it was too unusual or cerebral for Broadway; Constant tone shifts, intentional voice cracks, some stream-of-consciousness and (maybe overly) complex lyrics, a focus on the world outside of the \u201cmain plot\u201d (the relationship between the black maid Caroline and Noah, the child of the white family she works for) and emotions unfolding in a less easily appealing, \u201cnon-musically\u201d way. I love it for those reasons, but I understand that most wouldn\u2019t, and if I were to hypothesize, that could be why the musical is not as largely produced\/remembered as it could be.<\/span><\/p>\n<div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pcPuv2hgzRU?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><br><p style=\"text-align: left;\"><i><span style=\"font-weight: 400;\">Caroline <\/span><\/i><span style=\"font-weight: 400;\">builds so deeply on the surrounding society, religion, and inner depths of its characters for an honest and significant artwork that never contrives to pull at your heartstrings. I write about it in hopes it will be absorbed by more people and discussed. Just a few months ago, the New York Times released a piece centered around the significant \u2018confederate statue\u2019 subplot in <\/span><i><span style=\"font-weight: 400;\">Caroline<\/span><\/i><span style=\"font-weight: 400;\">, and the musical\u2019s relation to the same controversy today. The issues of the past do not just disappear, they continue to evolve and devolve as part of our world, and while <em>Caroline, or Change<\/em> is not entirely forgotten, I hope it makes a big comeback soon to be part of that American conversation.<\/span><\/p>\n<p class=\"Normal1\" style=\"line-height: 137%;\"><span style=\"font-weight: 400;\">See you next time on the island!<\/span><\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-3 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-23-at-9.23.49-AM.png\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><br><br><h3 class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Hungry for more theatre history? Check out our other stories below!<\/span><\/h3>\n<ul class=\"ul1\">\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-1-ethel-merman\/\"><span class=\"s3\">Diva Alert #1: Ethel Merman<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-2-mary-martin\/\"><span class=\"s3\">Diva Alert #2: Mary Martin<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-3-marylin-miller\/\"><span class=\"s3\">Diva Alert #3: Marilyn Miller<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-4-gertrude-lawrence\/\"><span class=\"s3\">Diva Alert #4: Gertrude Lawrence<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-5-nanette-fabray\/\"><span class=\"s3\">Diva Alert #5: Nanette Fabray<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-6-gwen-verdon\/\"><span class=\"s3\">Diva Alert #6: Gwen Verdon<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-7-carol-channing\/\"><span class=\"s3\">Diva Alert #7: Carol Channing<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-8-julie-andrews\/\"><span class=\"s3\">Diva Alert #8: Julie Andrews<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-9-barbara-cook\/\"><span class=\"s3\">Diva Alert #9: Barbara Cook<\/span><\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-10-barbra-streisand\/\">Diva Alert #10: Barbra Streisand<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\">D<a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-11-angela-lansbury\/\">iva Alert #11: Angela Lansbury<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-12-elaine-stritch\/\">Diva Alert #12: Elaine Stritch<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-13-nancy-walker\/\">Diva Alert #13: Nancy Walker<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-14-chita-rivera\/\">Diva Alert #14: Chita Rivera<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-15-dolores-gray\/\">Diva Alert #15: Dolores Gray<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-17-bernadette-peters\/\">Diva Alert #17: Bernadette Peters<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-18-patti-lupone\/\">Diva Alert #18: Patti LuPone<\/a><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/the-island-of-misfit-plays-coco-1969\/\"><span class=\"s3\">The\u00a0Island of Misfit Plays:\u00a0Coco\u00a0(1969)<\/span><\/a><\/span><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5 class=\"Normal1\" style=\"line-height: 137%;\"><em><strong>Clark Levi<\/strong> is an aspiring director\/actor\/playwright\/jack of all trades that lives in Orlando, Florida. He has performed and directed with Beth Marshall Presents, Baggy Pants Theatre, and The Young Company, among others. He is an officer and for Boone High School Theatre and a proud Thespian, and is currently working as an intern under Beth Marshall.\u00a0<\/em><\/h5>\n<h5>Thumbnail image: Via <a href=\"https:\/\/www.youtube.com\/watch?v=Dx3KhKfA3kw\">YouTube<\/a>.<\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":6211,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[470,259,272],"tags":[50,56,252],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/5585"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=5585"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/5585\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/6211"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=5585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=5585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=5585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}