{"id":5528,"date":"2018-03-05T15:36:33","date_gmt":"2018-03-05T15:36:33","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=5528"},"modified":"2018-03-05T15:36:33","modified_gmt":"2018-03-05T15:36:33","slug":"5-vital-questions-to-ask-yourself-when-performing-a-monologue-or-a-scene","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/5-vital-questions-to-ask-yourself-when-performing-a-monologue-or-a-scene\/","title":{"rendered":"5 Vital Questions to Ask Yourself When Performing a Monologue or a Scene"},"content":{"rendered":"

5 Vital Questions to Ask Yourself When Performing a Monologue or a Scene<\/h3>\n \"\"<\/a><\/span>

Written by\u00a0Ashleigh Gardner<\/p>\n

March 1, 2018<\/p>\n<\/font>

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Preparing a monologue or in rehearsals for a show? Check out these five essential questions you should answer right away to determine where you take your character.<\/span><\/p>\n

1.\u00a0What does your character want?<\/h4>\n
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This is the first question you should always ask yourself for every scene in which your character appears. Do it in stages: what do they want in <\/span>this scene<\/span><\/i>? What do they want <\/span>by the end of the play<\/span><\/i>? What do they want <\/span>after the play has finished <\/span><\/i>if everything goes according to their plan? The answers to these questions will greatly affect how you play your character and how your character interacts with other characters on stage.<\/span><\/p>\n

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2.\u00a0Where is your character?<\/h4>\n
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The answer to this question will also greatly affect how your character behaves. If your character is in a church, will they behave and speak differently from the way they would behave or speak in their own home? What about if they\u2019re in someone else\u2019s house? Do they lower their voice or show reverence or respect? Or are they loud and obnoxious? Or, depending on the character\u2019s personality, they may or may not care where they are.<\/span><\/p>\n

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3.\u00a0Where is the love?<\/h4>\n
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Every scene is a love scene. This doesn\u2019t mean that the characters are <\/span>in love<\/span><\/i>, but it <\/span>does <\/span><\/i>mean that there is an affection\/love\/admiration\/trust that exists between your character and your scene partner\u2019s character. Similarly, if two characters are fighting, it\u2019s <\/span>still <\/span><\/i>a love scene: where did the love go? What trust was broken? Are they fighting to regain the love they lost? If two characters hate each other, they must have trusted each other at one point \u00a0\u2014 \u00a0and been betrayed intensely \u00a0\u2014 \u00a0for the hate to be so strong.<\/span><\/p>\n

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4.\u00a0Where is the pain?<\/h4>\n
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Where in the scene does your character hurt? Why do they hurt? Do they show this pain? Even if the pain has nothing immediately to do with the scene, find the answer to this question. Every person carries a pain with them that influences how they interact with other people, so the same can be said for your character.<\/span><\/p>\n

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5.\u00a0Where is the joy?<\/h4>\n
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Where in the scene does your character express joy or excitement? Why are they excited about the thing they\u2019re excited about? Do they share their excitement with the other people in the scene, or do they keep it to themselves?<\/span><\/p>\n

Answering these questions is all about layering. Begin with question #1 and move to question #5, then see how these questions affect the way you play your character as a whole.<\/span><\/p>\n
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Need some advice? We\u2019ve got you covered.<\/h3>\n