{"id":5047,"date":"2017-11-21T23:03:31","date_gmt":"2017-11-21T23:03:31","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=5047"},"modified":"2019-07-29T20:34:55","modified_gmt":"2019-07-29T20:34:55","slug":"ladies-choice-large-cast-suggestions-for-female-heavy-plays-part-2","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/ladies-choice-large-cast-suggestions-for-female-heavy-plays-part-2\/","title":{"rendered":"Ladies Choice! Large Cast Suggestions for Female Heavy Plays (Part 2)"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3 style=\"text-align: left;\">Ladies Choice! Large Cast Suggestions for Female Heavy Plays (Part 2)<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/06\/tiff_profile.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by\u00a0Tiffany Wilkie<\/p>\n<p>November 21, 2017<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">Sometimes the number of girls and women significantly outweighs the number of boys and men in a theatre department. That\u2019s when it\u2019s time to start looking for female-heavy plays. Check out our Part 2 list below. (And read <span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/mgs\/ladies-choice-large-cast-suggestions-for-female-heavy-plays-part-1\/\"><span style=\"text-decoration: underline;\"><strong>Part 1 here<\/strong><\/span><\/a><\/span>!)<\/p>\n<h4>1. <em>As it is in Heaven<\/em> by Arlene Hutton (9 women)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">A religious community is changed when a non-believer has an ecstatic experience. The 1830&#8217;s Shaker society of Pleasant Hill, Kentucky, is set in ordered ways. Their once dramatic form of worship has by now developed into routine. The arrival of Fanny upsets the harmony; the Sisters suspect her to be a &#8220;winter Shaker,&#8221; one who suddenly converts when life gets too hard on the farm. Fanny sees angels in the meadow, and soon all the young women are receiving spiritual &#8220;gifts&#8221; of songs, drawings, ideas and giggles, completely upsetting the community. The leaders question Fanny&#8217;s intentions and honesty: Is this a resurgence of the original Shaker celebration or something manufactured by Fanny so that she can remain with the Shakers? Eldress Hannah is jealous that she, the most devout of Shakers, has not been privileged to see the visions. But only the ones who question need visual proof. Whether they were heavenly or earthly, the angels were there. &#8220;Hands to Work, Hearts to God&#8221; is their motto, and in each scene the Sisters are always at tasks. The set is as simple as the Shakers: benches, baskets and laundry. Hymns sung a cappella punctuate the scenes of the play, which ends with a joyful explosion of Shaker singing and ecstatic dance.<\/p>\n<p style=\"text-align: left;\">Get the play <a href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=3087\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">2. <em>10 Virgins<\/em> by Laura Jacqmin\u00a0(11 women)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-3 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">After their mother&#8217;s disappearance, Marchen and her nine sisters grow up in a swamp with only a trunk full of old stories to teach them about the world. But under the influence of a cryptic witch, Jenny Greenteeth, Marchen begins to wonder if her destiny lies beyond her books and her isolated life with her siblings. Is she willing to leave her life behind &#8212; even betray her sisters &#8212; to find her own freedom? When the littlest sister disappears, it&#8217;s up to Marchen to uncover the truth. Inspired by classic fairy tales and folklore,\u00a0<em>10 Virgins<\/em>\u00a0deftly explores what it means to find our way in the world and what consequences come from the paths we choose.<\/p>\n<p style=\"text-align: left;\">Get the\u00a0play <a href=\"https:\/\/www.playscripts.com\/play\/1568\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">3. <em>Nine Girls<\/em> by W. Pettitt (9 women)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-4 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">The holiday chatter in their mountain clubhouse is silenced as a radio announces the news of Paula&#8217;s death. Alice has just received a letter from Paula that contains an important clue. She confides this to only one of the girls, who instantly snatches the letter and burns it! Alice may have made a fatal error in choosing her confidante. Then the killer strikes at Alice, cleverly making her death seem like a suicide. Only shrewd Eve rejects the suicide theory, but then she, too, errs in her choice of a confidante.<\/p>\n<p style=\"text-align: left;\">Get the play <a href=\"https:\/\/www.dramaticpublishing.com\/browse\/full-length-plays\/nine-girls\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">4. <em>If We Were Birds<\/em> by Erin Shields (7 women, 2 men)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-5 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">When King Pandion marries his daughter Procne off to war hero King Tereus, she must leave her beloved sister Philomela behind. After years of isolation in a foreign land, Procne begs Tereus to collect her sister for a visit. But when Tereus is confronted with Philomela\u2019s beauty, his desire triumphs over reason, igniting a chain of horrific events. A harrowing exploration of violence and revenge, this adaptation features a chorus of ravaged women, each a survivor of a twentieth-century conflict: Bosnia-Herzegovina, Rwanda, Bangladesh, Nanking, and Berlin.<\/p>\n<p style=\"text-align: left;\">Get the play <a href=\"http:\/\/www.playwrightscanada.com\/if-we-were-birds.html\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">5. <em>The Rez Sisters<\/em> by Thomson Highway (7 women, 1 man)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-6 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p>This award-winning play by Native playwright Tomson Highway is a powerful and moving portrayal of seven women from a reserve attempting to beat the odds by winning at bingo. And not just any bingo. It is THE BIGGEST BINGO IN THE WORLD and a chance to win a way out of a tortured life.<\/p>\n<p>Get the play <a href=\"http:\/\/www.tomsonhighway.com\/publications.html\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">6. <em>Trojan Barbie<\/em> by Christine Evans (7 women, 4 men)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-7 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">A Car-Crash Encounter with Euripides&#8217;\u00a0<em>Trojan Women<\/em>. Past and present violently collide when Lotte, an English tourist who repairs dolls, is captured while on a tour of current-day Troy and flung back into the ancient camp of Euripides&#8217;\u00a0<em>Trojan Women<\/em>. Part contemporary drama, part homage to Euripides&#8217;\u00a0<em>Trojan Women, Trojan Barbie<\/em>\u00a0recasts the legendary fall of the city of Troy against the vivid reality of modern warfare. Poetic, compassionate, and tinged with great warmth and humor,\u00a0<em>Trojan Barbie<\/em>\u00a0is an epic war story with a most unlikely heroine, who always looks on the bright side even as past and present collide about her.<\/p>\n<p style=\"text-align: left;\">Get the play <a href=\"http:\/\/www.samuelfrench.com\/p\/4904\/trojan-barbie\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">7. <em>Off a Broken Road<\/em> by Stephen Spotswood (12w, 4m)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-8 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">In a country coming out of a long war, there\u2019s a small town: isolated, battered, and on the losing side. Here, courage does not come from the heart, but is picked and processed and sold by the ounce. But this town\u2019s Courage ran out long ago. And now its citizens are being forced to take refugees into their homes\u2013people whose country their soldiers were fighting just a few months ago. Winners and losers\u2013the dead, the living, and the lost\u2013will be forced to overcome their fears. Or let the war begin again.<\/p>\n<p style=\"text-align: left;\">Get the play <a href=\"http:\/\/www.playwrightsteve.com\/off-a-broken-road\/\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">8. <em>The Friendly Hour<\/em> by Tom Jacobson (5-13 women)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-9 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">Tom Jacobson&#8217;s lovely new play chronicles the rituals of a women&#8217;s club in rural South Dakota from the late &#8217;30s to 2007, and we watch the women with whom we grow increasingly familiar age and engage in theological disputes that are really at the heart of the matter. God&#8217;s purpose, and the purpose of community, interweave and clash through the decades. \u2026an impressionistic landscape that straddles the literary worlds of Anton Chekhov and Thornton Wilder.<\/p>\n<p style=\"text-align: left;\">Get the play <a href=\"http:\/\/www.samuelfrench.com\/p\/17197\/friendly-hour-the\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">9. <em>Shiloh Rules<\/em> by Doris Baizley (6 women)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-10 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">A\u00a0dedicated Union nurse and a mysterious Confederate refugee meet on the Shiloh battlefield to compete for the title of Best Female Reenactor of the Year. With their young trainees trying to out-do each other in &#8220;authenticity,&#8221; and a concessionaire egging both sides on, their competition leads them into real conflict with Ranger Wilson, an African-American female park ranger who would rather be anywhere than the year 1862, imaginary or not. As the re-enactment rages out of control, all six women discover that some conflicts of the Civil War weren&#8217;t left behind in 1862.<\/p>\n<p style=\"text-align: left;\">Get the play <a href=\"https:\/\/www.playscripts.com\/play\/1802\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">10. <em>Picnic <\/em>by William Inge (4m 7w)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-11 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\">The play takes place on Labor day Weekend in the joint backyards of two middle-aged widows. The one house belongs to Flo Owens, who lives there with her two maturing daughters, Madge and Millie, and a boarder who is a spinster school teacher. The other house belongs to Helen Potts, who lives with her elderly and invalid mother. Into this female atmosphere comes a young man named Hal Carter, whose animal vitality seriously upsets the entire group. Hal is a most interesting character, a child of parents who ignored him, self-conscious of his failings and his position behind the eight ball. Flo is sensitively wary of temptations for her daughters. Madge, bored with being only a beauty, sacrifices her chances for a wealthy marriage for the excitement Hal promises. Her sister, Millie, finds her balance for the first time through the stranger&#8217;s brief attention. And the spinster is stirred to make an issue out of the dangling courtship that has brightened her life in a dreary, minor way.<\/p>\n<p style=\"text-align: left;\">Get the play <a href=\"http:\/\/www.samuelfrench.com\/p\/6590\/picnic\" target=\"_blank\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>here<\/strong><\/span><\/a>.<\/p>\n<br>\r\n<br><h3 class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Interested in theatre history? Check out our other features below!<\/span><\/h3>\n<ul class=\"ul1\">\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/25-plays-all-high-school-seniors-should-read-before-they-graduate\/\">25 Plays all High School Seniors Should Read (Before They Graduate)<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-contemporary-lgbt-playwrights-you-should-know\/\">10 Contemporary LGBT Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-contemporary-native-american-playwrights-you-should-know\/\">10 Contemporary Native American Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-contemporary-playwrights-of-color-you-should-know\/\">10 Contemporary Playwrights of Color You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-asian-american-playwrights-you-should-know\/\">10 Asian American Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-twentieth-century-latinx-hispanic-and-chicanoa-playwrights-you-should-know\/\">10\u00a0Latinx, Hispanic, and Chicano\/a Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-eighteenth-century-female-playwrights-you-should-know\/\">10 Eighteenth-Century Female Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-nineteenth-century-female-playwrights-you-should-know\/\">10 Nineteenth-Century Female Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/7-classic-russian-playwrights-you-should-know\/\">10 Classic Russian Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/12-elizabethan-and-jacobean-playwrights-you-should-know\/\">12 Elizabethan and Jacobean Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/7-greek-and-roman-playwrights-you-should-know\/\">7 Greek and Roman Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/13-classic-american-playwrights-you-should-know\/\">13 Classic American Playwrights You Should Know<\/a><\/span><\/span><\/li>\n<li class=\"li3\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s4\"><a href=\"https:\/\/performerstuff.com\/mgs\/early-20th-century-broadway-composers-and-lyricists-you-should-know\/\">Early 20th Century Broadway Composers and Lyricists You Should Know<\/a><\/span><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Tiffany Weagly-Wilkie<\/strong>\u00a0is the Director of Theatricals for\u00a0PerformerStuff.com. She also serves as the Casting Director for The Imagination House.<\/em><\/h5>\n<h5 style=\"text-align: left;\">Thumbnail:\u00a0Photo by <a href=\"https:\/\/unsplash.com\/photos\/ybPJ47PMT_M?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Clarke Sanders<\/a> on <a href=\"https:\/\/unsplash.com\/search\/photos\/women?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Unsplash<\/a><\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":7165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[470,259,799,263,272],"tags":[546,128,547,524,422],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/5047"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=5047"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/5047\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/7165"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=5047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=5047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=5047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}