{"id":4467,"date":"2017-09-17T00:57:20","date_gmt":"2017-09-17T00:57:20","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=4467"},"modified":"2020-05-18T22:14:55","modified_gmt":"2020-05-18T22:14:55","slug":"the-flyin-fightin-forties-16-female-solo-ideas-from-the-wwii-era","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/the-flyin-fightin-forties-16-female-solo-ideas-from-the-wwii-era\/","title":{"rendered":"The Flyin\u2019 Fightin\u2019 Forties: 16 Female Solo Ideas From The WWII Era"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3 style=\"text-align: left;\">The Flyin\u2019 Fightin\u2019 Forties: 16 Female Solo Ideas From The WWII Era<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img alt=\"\" src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/large-13015398_10208783920372319_8251907998121298385_n.jpg\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by\u00a0Jackson Upperco<\/p>\n<p>August 31, 2017<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">So you\u2019re auditioning for the role of Ado Annie in <em>Oklahoma!<\/em> (1943)? Nellie Forbush in <em>South Pacific <\/em>(1949)? Margie Frake in a production of the 1996 stage adaptation of the 1945 film <em>State Fair<\/em>? Then you need some authentic and <em>not overdone <\/em>material from the early \u201840s in your repertoire \u2013 starting with this collection of Musical Theatre solo suggestions for audition and study . from the first six years of the flyin\u2019, fightin\u2019 decade (before and during America\u2019s participation in the Second World War). (For material from the late \u201840s, check out our Golden Age posts for <a href=\"https:\/\/performerstuff.com\/mgs\/guys-25-wow-able-solos-from-broadways-golden-age\/\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>men<\/strong><\/span><\/a>, <a href=\"https:\/\/performerstuff.com\/mgs\/ladies-25-wow-able-solos-from-broadways-golden-age\/\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>women<\/strong><\/span><\/a>, and duets for <a href=\"https:\/\/performerstuff.com\/mgs\/the-perfect-blendship-22-same-sex-duets-from-broadways-golden-age\/\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong style=\"color: #ba9bc9; text-decoration-line: underline;\">two men or t<\/strong><\/span><\/a><a href=\"https:\/\/performerstuff.com\/mgs\/the-perfect-blendship-22-same-sex-duets-from-broadways-golden-age\/\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>wo women<\/strong><\/span><\/a>, and <a href=\"https:\/\/performerstuff.com\/mgs\/guys-dolls-25-dynamic-male-female-duets-from-broadways-golden-age\/\"><span style=\"text-decoration: underline;\"><strong><span style=\"color: #ba9bc9; text-decoration: underline;\">male\/female couples<\/span><\/strong><\/span><\/a>!)<\/p>\n<p style=\"text-align: left;\">All the selections below, chosen by a self-proclaimed expert on the scores of this era, are guaranteed to put you in the mind and flavor \u2013 the <em>real <\/em>mind and flavor \u2013 of this iconic time in history. With classic entries from the Great American Songbook to rousing (seldom sung) gems waiting to be rediscovered, this EXCLUSIVE list is one to be bookmarked and studied!<\/p>\n<h4>1. \u201cThe Rhumba Jumps\u201d from <em>Walk With Music <\/em>(1940) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mrvn3T3fVw4?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">As Europe was embroiled in a new war, the U.S. put up a public front of non-interventionism (for a while, anyway). Distractions, however, were vital, and this bawdy musical comedy, scored by Hoagy Carmichael and Johnny Mercer, about three gals looking for rich husbands, served this function. Here\u2019s the show\u2019s attempt at evoking the latest dancing craze \u2013 the Rhumba! Swingin\u2019, big band-y.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">2. \u201cTaking A Chance On Love\u201d from <em>Cabin In The Sky <\/em>(1940) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xppuwfCkjKU?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Introduced by the legendary Ethel Waters, this is the most famous number from this all-black production (still a relative novelty for 1940) that boasted a score by Vernon Duke and John LaTouche. Waters played the wife of a man who\u2019s been given a second chance on life \u2013 but both the Lord and the Devil are after his soul. A wonderful selection for women of color \u2013 part of the Great American Songbook.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/9521\/Taking-A-Chance-On-Love\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>3. \u201cI\u2019ve Still Got My Health\u201d from <em>Panama Hattie <\/em>(1940) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/yo_n57gXgOc?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-1-ethel-merman\/\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>Ethel Merman<\/strong><\/span><\/a>\u2019s fourth (of five) musicals with composer-lyricist Cole Porter, <em>Panama Hattie <\/em>was the first time the iconic diva got solo star billing. The story concerned a night club singer who\u2019s engaged to a wealthy Navy man \u2013 a romance of which many disapprove. In this number, Hattie thinks their engagement is off, so she gets drunk and toasts to the fact that she\u2019s still got her health! A belter.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/24750\/Ive-Still-Got-My-Health\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>4. \u201cZip\u201d from <em>Pal Joey <\/em>(1940) (<em>alto<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bksBLCt1Vl4?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Rodgers &amp; Hart\u2019s <em>Pal Joey <\/em>has been revived several times in the decades since its debut, but its gem-filled score tends to overshadow the narrative innovation: the fact that the plot is driven by an unlikable heel of a protagonist (played originally by Gene Kelly), who\u2019ll do anything to get his way. This number is a mock strip tease (\u00e0 la Gypsy Rose Lee) performed by a no-nonsense reporter. How fun!<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/29727\/Zip\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>5. \u201cThe Saga Of Jenny\u201d from <em>Lady In The Dark <\/em>(1941) (<em>soprano<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XfwsEiDaU7g?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">More innovation came in this musical drama about a high-powered magazine editor (Gertrude Lawrence) who visits a shrink when her dreams are haunted by a mysterious melody. This number is the climax of her third and final dream, in which she\u2019s put on trial by her beaus for being unable to choose one. This is her literate defense: the story of a woman who made up her mind. Showstopper.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/97826\/The-Saga-Of-Jenny\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>6. \u201cI Got It Bad (And That Ain\u2019t Good) from <em>Jump For Joy <\/em>(1941) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Vy4OD9W08ZI?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Another song ideal for women of color, this ditty comes from a black musical revue (co-composed by Duke Ellington, who wrote this number) that didn\u2019t <em>technically<\/em> make it to Broadway, but nevertheless played Los Angeles in the summer of \u201941. It\u2019s an achingly terrific ballad for a woman who\u2019s scared to find herself so in love with her latest paramour. Introduced by Ivy Anderson.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/7913\/I-Got-It-Bad-And-That-Aint-Good\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>7. \u201cShady Lady Bird\u201d from <em>Best Foot Forward <\/em>(1941) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dBCV8CuH6k8?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Hugh Martin and Ralph Blaine crafted the brassy score for this peppy musical comedy about a boy at a prep school who jokingly invites a B-movie actress to be his date to the upcoming dance \u2013 and, for publicity, she accepts! This blazin\u2019 number is for the aforementioned boy\u2019s regular girlfriend, who\u2019s not happy to be jilted! Youthful, energetic, and a great representation of this era\u2019s music.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>8. \u201cJerry, My Solider Boy\u201d from <em>Let\u2019s Face It!<\/em> (1941) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wK55aSvRd7M?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Although Cole Porter\u2019s <em>Let\u2019s Face It! <\/em>opened six weeks before the U.S. officially joined the war, you can see that combat was on the culture\u2019s mind, as this farce centered around three lonely wives who decide to make their husbands jealous by cavorting around with young Army inductees. But this doesn\u2019t sit too well with the G.I.\u2019s regular gals, one of whom sings this number of her \u201csoldier boy.\u201d<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>9. \u201cNobody\u2019s Heart\u201d from <em>By Jupiter <\/em>(1942) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5H93VY4HmzQ?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">The first number here from a show that opened after the United States was officially at war, Rodgers &amp; Hart\u2019s \u201cNobody\u2019s Heart\u201d is actually a tender ballad sung by the warlike daughter of an Amazon Queen. Yes, this is a period piece \u2013 a burlesque telling of <em>The Warrior\u2019s Husband<\/em>, about the romance between this young woman and Theseus, who\u2019s led the Greeks in battle against the Amazons.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/35267\/Nobodys-Heart\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>10. \u201cSomething For The Boys\u201d from <em>Something For The Boys <\/em>(1943) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1xWKwKgi3oE?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Merman\u2019s fifth vehicle with Cole Porter, the comical plot of <em>Something For The Boys <\/em>found three cousins turning their inherited Texas ranch into a boarding house for soldiers\u2019 wives. The rousing title number reveals the country\u2019s then-unwavering patriotism during wartime. It\u2019s sure to evoke the era \u2013 with genuine spirit! (This score contains a couple of other delights too; see also: \u201cI\u2019m In Love With A Soldier Boy,\u201d \u201cHey, Good Lookin\u2019,\u201d and \u201cHe\u2019s A Right Guy.\u201d)<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>11. \u201cFoolish Heart\u201d from <em>One Touch Of Venus <\/em>(1943) (<em>soprano<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JVgbVMIVSE0?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\"><a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-2-mary-martin\/\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>Mary Martin<\/strong><\/span><\/a> played a statue of Venus come to life in New York City in this romantic drama featuring a score by German composer Kurt Weill and American poet Ogden Nash. In this number, Venus decries her foolish heart after having fallen in love with a barber. There\u2019s genuine elegance and dramatic weight to the music in this show, making it ideal for those interested in pieces for vocal study.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/15764\/Foolish-Heart\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>12. \u201cI Wanna Get Married\u201d from <em>Follow The Girls <\/em>(1944) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rEO_d4MWxdw?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">One of three numbers on this list previously highlighted in our series of musical suggestions from Broadway\u2019s Golden Age (which we defined as starting after the premiere of <em>Oklahoma! <\/em>in 1943), here\u2019s how I described the song last time: \u201cA burlesque queen at a servicemen\u2019s club longs to walk down the aisle. Great nostalgic character piece.\u201d It\u2019s a funny lyric that\u2019s <em>definitely<\/em> of this specific era.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>13. \u201cThe Love I Long For\u201d from <em>Sadie Thompson <\/em>(1944) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KOVOrbGQyZE?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><br><\/div><p style=\"text-align: left;\">\u201cA hooker in Pago Pago doesn\u2019t think she\u2019s worthy of being loved by a good man. Terrific ballad.\u201d Based on the hit play <em>Rain<\/em>, this musical adaptation (by Duke and Dietz) of the classic drama was originally written for Ethel Merman, who quit during tryouts. June Havoc (yes, Baby June) stepped into the role. Though not a hit, there are a few beautiful standouts \u2013 like this honest, emotive piece.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>\u00a014. \u201cEv\u2019ry Time We Say Goodbye\u201d from <em>Seven Lively Arts <\/em>(1944) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/s5TZiKZh4M0?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">A classic contribution to the Great American Songbook, this Cole Porter gem is far more famous than the show from which it originates \u2013 a flop musical revue that starred Bert Lahr and Beatrice Lillie. Although this plainly but sorrowfully wistful piece doesn\u2019t have explicit wartime connotations, forming them isn\u2019t a stretch. So, it\u2019s an ideal embodiment of this period \u2013 and a gorgeous one, at that.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/26634\/Evry-Time-We-Say-Goodbye\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>15. \u201cI Can Cook, Too\u201d from <em>On The Town <\/em>(1944) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hMoHDBwlj0w?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Perhaps the best-known showtune on this list \u2013 from a work revived on Broadway not that long ago \u2013 here\u2019s what I wrote about it in our Golden Age series: \u201cRambunctious taxi cab driver Hildy tries to seduce a sailor on a 24-hour shore leave. Lots of swinging fun.\u201d Introduced by singing comedienne Nancy Walker, this brilliant character number is spunky, funny, and a Broadway staple.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>16. \u201cSend Us Back To The Kitchen\u201d from <em>Are You With It? <\/em>(1945) (<em>mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q-ueqpoIKYA?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Opening three months after the cessation of combat in the Pacific, this musical comedy, set at a touring carnival, subliminally deals with the emerging social tension. That\u2019s most explicit in this comic number, to be performed tongue-in-check now (but maybe it also was then), in which a working-woman longs to be sent back to the kitchen and her domestic duties.\u00a0 If you want 1945, here it is.<\/p>\n<p style=\"text-align: left;\">Visit the author\u2019s blog, <a href=\"http:\/\/jacksonupperco.com\"><span style=\"text-decoration: underline; color: #ba9bc9;\"><strong>jacksonupperco.com<\/strong><\/span><\/a>, for more on the scores of this era!<\/p>\n<h3 style=\"text-align: center;\">Listen to a Spotify playlist of these audition songs from\u00a0The WWII Era\u00a0here:<\/h3>\n<h3 style=\"text-align: center;\"><\/h3>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/13x0nrtxFPHB9m3DeMQyZu\" width=\"300\" height=\"380\" frameborder=\"0\"><\/iframe><\/p>\n<br><h3 style=\"text-align: left;\">Looking for more material? Check out our other stories below!<\/h3>\n<ul>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/guys-25-more-wow-able-solos-from-broadways-golden-age\/\">Guys: 25 MORE Wow-Able Solos From Broadway\u2019s Golden Age<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/ladies-25-more-wow-able-solos-from-broadways-golden-age\/\">Ladies: 25 MORE Wow-Able Solos From Broadway\u2019s Golden Age<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/top-10-contemporary-male-audition-cuts\/\">Top 10 Contemporary Male Audition Cuts<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/top-10-contemporary-female-audition-cuts\/\">Top 10 Contemporary Female Audition Cuts<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\">Top 10 Traditional Male Audition Cuts<\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-for-women-who-speak-their-mind\/\">10 Monologues for Women Who Speak Their Mind<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/theatrenerds.com\/10-female-monologues-from-love-sick-characters\/\">10 Female Monologues From Love-Sick Characters<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-from-male-characters-fathers-brothers-and-sons\/\">10 Monologues from Male Characters: Fathers, Brothers, and Sons<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-for-people-who-have-a-bone-to-pick\/\">10 Monologues for People Who Have a Bone to Pick<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-great-monologues-from-lgbtq-identifying-characters\/\">10 Great Monologues from LGBTQ-Identifying Characters<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-for-characters-who-have-theatre-on-the-brain\/\">10 Monologues for Characters Who Have Theatre on the Brain<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-male-monologues-from-characters-dealing-with-death\/\">10 Male Monologues from Characters Dealing With Death<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/guys-25-wow-able-solos-from-broadways-golden-age\/\">Guys: 25 Wow-Able Solos from Broadway\u2019s Golden Age<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/ladies-25-wow-able-solos-from-broadways-golden-age\/\">Ladies: 25 Wow-Able Solos from Broadway\u2019s Golden Age<\/a><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Jackson Upperco<\/strong>\u00a0is a lover of retro television, forgotten Broadway\u00a0musicals, and Pre-Code Hollywood. He boasts a Bachelors Degree in\u00a0Film and Television from Boston University. You can keep up with all of\u00a0his entertainment interests at\u00a0<a href=\"http:\/\/jacksonupperco.com\/\" target=\"_blank\">jacksonupperco.com<\/a>.<\/em><\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":6094,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[470,259,262,302,272,453],"tags":[459,72,242,145],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/4467"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=4467"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/4467\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/6094"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=4467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=4467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=4467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}