{"id":3783,"date":"2017-07-12T00:34:55","date_gmt":"2017-07-12T00:34:55","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=3783"},"modified":"2020-05-18T17:48:06","modified_gmt":"2020-05-18T17:48:06","slug":"the-truly-turbulent-thirties-22-male-solo-ideas-from-the-great-depression","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/the-truly-turbulent-thirties-22-male-solo-ideas-from-the-great-depression\/","title":{"rendered":"The Truly Turbulent Thirties: 22 Male Solo Ideas From The Great Depression"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3>The Truly Turbulent Thirties: 22 Male Solo Ideas From The Great Depression<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img alt=\"\" src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/large-13015398_10208783920372319_8251907998121298385_n.jpg\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by\u00a0Jackson Upperco<\/p>\n<p>July 10, 2017<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p>So you\u2019re auditioning for the role of Billy Crocker in <em>Anything Goes <\/em>(1934)<em>? <\/em>Rooster in <em>Annie<\/em> (1977)? Julian Marsh in the stage adaptation of the 1933 film <em>42<sup>nd<\/sup> Street <\/em>(1980)? Then you need some authentic and <em>not overdone <\/em>material (no \u201cBrother, Can You Spare A Dime?\u201d here) from the \u201830s in your repertoire \u2013 starting with this collection of Musical Theatre solo suggestions for audition and study from the Great Depression.<\/p>\n<br><p style=\"text-align: left;\">All the selections below, chosen by a self-proclaimed expert on the scores of this era, are guaranteed to put you in the mind and flavor \u2013 the <em>real <\/em>mind and flavor \u2013 of this iconic decade. With classic entries in the Great American Songbook to bluesy (seldom sung) gems waiting to be rediscovered, this EXCLUSIVE list is one to be bookmarked and studied!<\/p>\n<h4>1. \u201cOn The Sunny Side Of The Street\u201d from <em>Lew Leslie\u2019s International Revue <\/em>(1930) (<em>baritone<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/br0hgTk1Qtk?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Included in a bouncy Lew Leslie revue, this song by Jimmy McHugh and Dorothy Fields seems like a standard \u201cthe Depression is here, but we\u2019ll keep smiling\u201d ditty. But, while the market crashed in the fall of \u201929, the financial collapse and its effects were not yet at their most devastating when this production opened in February of 1930. Rather, this song more embodies lingering \u201820s sentiments \u2013 before the harsh realities of the new decade would make themselves known.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/11818\/On-The-Sunny-Side-Of-The-Street\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">2. \u201cStarting At The Bottom\u201d from <em>Fine And Dandy <\/em>(1930) (<em>tenor<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1LdXWBhMHos?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Now, <em>this<\/em> little-known tune is more Depression-centered, coming from a well-received musical that boasts the first truly lauded score by a woman, Kay Swift, whose husband served as her lyricist. Although a vehicle for a star comic, the show offered plenty of melodic delights \u2013 including this forgotten solo for the male half of the secondary couple, whose optimism about making his way in the world \u2013 with his girl beside him \u2013 is indicative of the era\u2019s musical distractions.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>3. \u201cTreat Me Rough\u201d from <em>Girl Crazy <\/em>(1930) (<em>tenor<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/C7l-agkQmCQ?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">From the iconic Gershwin musical that starred Ginger Rogers and offered the Broadway debut of a legendary secretary-turned-belter named Ethel Merman (and itself served as the basis of the 1992 jukebox musical <em>Crazy For You<\/em>), this number for Merman\u2019s lascivious beau is filled with rambunctious charm, as he flirtatiously begs some saucy senoritas to treat him \u201crough\u201d \u2013 and that means everything that you think it means. Lots of character in this one.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/39761\/Treat-Me-Rough\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>4. \u201cHere\u2019s A Kiss For Cinderella\u201d from <em>Of Thee I Sing <\/em>(1931) (<em>baritone<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3pPiCBxmniI?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\"><em>Of Thee I Sing, <\/em>which boasted a score by the Gershwin brothers, became the first musical to win the Pulitzer Prize for drama. A satire about a presidential campaign, the show\u2019s mocking (albeit farcical) look at American politics holds more than simple curiosity value in today\u2019s climate. In this number, the candidate, who has run on a platform of \u201clove,\u201d has won the election, chosen a bride, and is using his inaugural address\/ vows to say goodbye to his exes.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>5. \u201cManhattan Madness\u201d from <em>Face The Music <\/em>(1932) (<em>tenor<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/spfn7UvESn8?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Another political satire, this musical comedy about a crooked cop who backs a new musical featured a book by Moss Hart and a score by Irving Berlin, a quintessentially American composer whose sound changed with the times. This scintillating number aimed to capture the hectic, frenzied, intoxicating sounds and movements of modern day (1932\u2019s modern day, that is) New York City. Jazzy and Gershwin-esque, this is what comes to mind when I think of NYC in the \u201830s.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/26586\/Manhattan-Madness\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>6. \u201cThe Song Is You\u201d from <em>Music In The Air <\/em>(1932) (<em>baritone<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PJaPSeGQ6aI?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">With a score by Jerome Kern and Oscar Hammerstein II (who brought the world the dramatically groundbreaking <em>Show Boat <\/em>in 1927), this piece is somewhere between musical and operetta, and like several of Kern\u2019s prior works, attempted to reconcile these different musical styles alongside one another. \u201cThe Song Is You\u201d emerged as a standard \u2013 a classic song of love in this musically liminal mode. It\u2019s tunefully pleasing and plainly worded \u2013 best for vocalists specifically.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/18565\/The-Song-Is-You\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>7. \u201cNight And Day\u201d from <em>Gay Divorce <\/em>(1932) (<em>baritone<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bs9u3FsOi7k?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Introduced by comedian Bob Hope as a bandleader in the 1933 Jerome Kern-Otto Harbach musical <em>Roberta <\/em>(about an American football player who inherits his aunt\u2019s Parisian dress shop), this song is, simply, fun. For a musician who can relate to the notion that he\u2019s \u201csimply got to sing \u2013 in two or three-fourths time always [he\u2019s] entertaining,\u201d then this ditty is ideal. It wasn\u2019t included in the film and was originally written for, but cut from, <em>The Cat And The Fiddle <\/em>(1931).<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/30432\/Night-And-Day\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>8. \u201cDon\u2019t Ask Me Not To Sing\u201d from <em>Roberta <\/em>(1933) (<em><\/em><i>baritone<\/i>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/eJjnD7bju6g?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Introduced by comedian Bob Hope as a bandleader in the 1933 Jerome Kern-Otto Harbach musical <em>Roberta <\/em>(about an American football player who inherits his aunt\u2019s Parisian dress shop), this song is, simply, fun. For a musician who can relate to the notion that he\u2019s \u201csimply got to sing \u2013 in two or three-fourths time always [he\u2019s] entertaining,\u201d then this ditty is ideal. It wasn\u2019t included in the film and was originally written for, but cut from, <em>The Cat And The Fiddle <\/em>(1931).<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>9. \u201cI\u2019m Not Myself\u201d from <em>Life Begins At 8:40 <\/em>(1934) (<i>baritone<\/i>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/U9sq4e2vBMQ?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Ira Gershwin took leave of his brother and paired up with lyricist E.Y. Harburg and composer Harold Arlen (the duo behind MGM\u2019s <em>The Wizard Of Oz<\/em>) to craft the score for this non-Ziegfeld, but Ziegeldian, revue that starred (among others) Bert Lahr, Luella Gear, Ray Bolger, and Frances Williams. This manic number about love\u2019s effects on a man, for dancin\u2019 fool Ray Bolger (best known as the Scarecrow), is a goodie \u2013 loaded with syncopated, and goofy charm.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>10. \u201cIf There Is Someone Lovelier Than You\u201d from <em>Revenge With Music <\/em>(1934) (<em>tenor<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pyslWOD1pb0?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Composer Arthur Schwartz and lyricist Howard Dietz are an unjustly forgotten duo, crafting several solid and gem-filled scores \u2013 like <em>Revenge With Music<\/em>, a romantic drama about a Spanish governor who tries to steal away a bride on her wedding night and in retaliation for a perceived dalliance, finds his wife seduced by the bridegroom. This achingly romantic song by the groom to his future bride (early in the show), is a classically neglected \u201830s ballad. Swoon!<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>11. \u201cThere\u2019s A Boat Dat\u2019s Leavin\u2019 Soon For New York\u201d from <em>Porgy And Bess <\/em>(1935) (<em>tenor<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/f67O68pg9BA?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">If you\u2019d have asked George Gershwin to cite his masterpiece, you probably wouldn\u2019t hear him claim the rapturous orchestral piece \u201cRhapsody In Blue,\u201d or the Pulitzer Prize winning <em>Of Thee I Sing <\/em>(1931) \u2013 although both are great candidates. He\u2019d probably say <em>Porgy And Bess<\/em>, the dramatically and musically progressive folk opera set in a black ghetto. This number is sung by a drug dealer who attempts to entice Bess, a recovering addict, to leave with him for New York.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/40870\/Theres-A-Boat-Dats-Leavin-Soon-For-New-York\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>12. \u201cThe Most Beautiful Girl In The World\u201d from <em>Jumbo <\/em>(1935) (<em>tenor<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lpUxpWra3KQ?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Several classic numbers by the duo of Richard Rodgers and Lorenz Hart came from this circus-themed score (their first Broadway work since leaving for Hollywood in 1931), which was mounted in the famed Hippodrome. For the young romantic juvenile, who sings in reference to his lovely love interest, this number \u2013 for a nimble tenor \u2013 caught standard vogue in the decades following, despite the expensive initial production\u2019s disastrous financial losses.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/24037\/The-Most-Beautiful-Girl-In-The-World\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>13. \u201cI Can\u2019t Get Started\u201d from <em>The Ziegfeld Follies Of 1936 <\/em>(<em>baritone<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_-i_5i5fgr0?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">When Florenz Ziegfeld Jr. died in \u201832, his wife Billie Burke (best remembered as Glinda) took control of the series, mounting a few more productions in the years following. 1936\u2019s edition, which was recreated several decades ago by Encores!, is one of the best \u2013 boasting a score by Vernon Duke and Ira Gershwin, and an initial roster of stars that included Fanny Brice, Eve Arden, Bob Hope, and Josephine Baker. This number was sung by a dejected Hope to a sarcastic Arden.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/63681\/I-Cant-Get-Started-With-You\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>14. \u201cA Little Skipper From Heaven Above\u201d from <em>Red, Hot, And Blue! <\/em>(1936) (<em><\/em><i>baritone<\/i>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0sxJ0qbxFOU?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><br><\/div><p style=\"text-align: left;\">Cole Porter\u2019s second vehicle for Broadway diva Ethel Merman (their first was, obviously, 1934\u2019s <em>Anything Goes<\/em>), <em>Red, Hot, &amp; Blue! <\/em>paired the brassy chanteuse with a charming love interest, Bob Hope, and a star comic, Jimmy Durante, whose iconic raspy voice is still imitated to this day. This number, for the latter (whose character was an ex-convict), is a classic funnyman\u2019s tale of a man who\u2019s actually a woman \u2013 and funnily enough, is \u201cabout to become a mother.\u201d<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>15. \u201cOff The Record\u201d from <em>I\u2019d Rather Be Right <\/em>(1937) (baritone)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9fZ4DTvSqu4?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">If you thought today was the age of great political satire, let me introduce you to the \u201830s, whose Depression-sparked discontent gave rise to art (of all forms) that sought to critique and comment on contemporary DC follies. This show, with a score by Rodgers and Hart, was a soft-hitting farce about then-current President Franklin Delano Roosevelt, played by the famed George M. Cohan. Recreated by James Cagney in a Cohan biopic, this number has FDR speaking \u201coff the record.\u201d<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>16. \u201cGod\u2019s Country\u201d from <em>Hooray For What! <\/em>(1937) (<em><\/em><i>baritone<\/i>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8C-cjmeNlo0?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Another satirical farce, this musical comedy with a score by Arlen and Harburg starred Ed Wynn (you remember him as Uncle Albert from Disney\u2019s <em>Mary Poppins<\/em>) as a small-town farmer who creates a poisonous gas while attempting to create a pesticide to stop worms from eating his apples. In this number, a weapons manufacturer leads the company in a patriotic cheer to the United States of America \u2013 filled with delicious allusions that proudly evoke the 1930s.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>17. \u201cBy Myself\u201d from <em>Between The Devil <\/em>(1937) (<em><\/em><i>baritone<\/i>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_Dy5po7gPaE?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Scottish musical comedy star Jack Buchanan introduced this Dietz and Schwartz standard in a forgotten show about a widower who remarries \u2013 just before his wife returns from being lost at sea. It was the classic <em>Enoch Arden <\/em>story (enlivened on the screen several times), although in tryouts, the book originally had Buchanan\u2019s character knowingly choosing bigamy (a detail that was altered before the brief Broadway run). Included in MGM\u2019s <em>The Band Wagon <\/em>(1953).<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/31720\/By-Myself\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>18. \u201cAt Long Last Love\u201d from <em>You Never Know <\/em>(1938) (<em><\/em><i>baritone<\/i>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/D7naDdrPAok?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">A Cole Porter classic, this number hails from a troubled musical adaptation of the play <em>By Candlelight, <\/em>about a maid and valet who romance while masquerading as a Madame and Baron, respectively. This number, for the valet (originally played by Clifton Webb), turned out to be the underrated score\u2019s only standard \u2013 Porter\u2019s first hit following his crippling horse-riding accident in late \u201937. It\u2019s a quiet tune about a man who realizes, for the first time, that he\u2019s in love.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/24687\/At-Long-Last-Love\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>19. \u201cF.D.R. Jones\u201d from <em>Sing Out The News <\/em>(1938) (<em><\/em><i>baritone<\/i>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/c4-XzcQZ3rA?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">As previously mentioned, Broadway in the late \u201830s made significant time for political perspectives \u2013 particularly those that were left-leaning. Following Harold Rome\u2019s work in the pro-union <em>Pins And Needles <\/em>(1937), he moved uptown to work with a trio of famed producers on a more commercially driven and less radical work. The hit of this score was the jazzy \u201cF.D.R. Jones,\u201d set at a Harlem christening for a baby boy named after the United States\u2019 then-current President.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/36539\/September-Song\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>20. \u201cSeptember Song\u201d from <em>Knickerbocker Holiday <\/em>(1938) (<em><\/em><i>baritone<\/i>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YxAY8QXdNFw?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">For as much as the above song praised FDR, this musical (which boasted a score by German composer Kurt Weill and lyricist\/book writer Maxwell Anderson) intended to do the opposite. Using the story of a 17<sup>th<\/sup> century New York governor as an allegory for the \u201cbig government\u201d President, the show\u2019s hard-hitting commentary fell short when it gave the most sentimental, sincere song to the intended villain! This number, for an elderly man, is best for character study.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>21. \u201cShe Could Shake Her Maracas\u201d from <em>Too Many Girls <\/em>(1939) (<em>baritone<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hMrlmpcPYQ8?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Desi Arnaz, best remembered as Ricky Ricardo in the CBS sitcom <em>I Love Lucy<\/em>, introduced this spicy ditty in Rodgers &amp; Hart\u2019s college-set romp. (Arnaz went to Hollywood in 1940 for the film adaptation \u2013 during which he met his future wife, Lucille Ball.) This number, for a Latino gent singing in reference to his Latina lover, is lighthearted and invocative of the easygoing fun that college represented for Americans in the late \u201830s, when Depression was giving way to War.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>22. \u201cWhat Have I?\u201d from <em>Du Barry Was A Lady <\/em>(1939) (<em>baritone<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-s3RZf1-bH8?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Cole Porter\u2019s raunchy <em>Du Barry Was A Lady<\/em> starred Bert Lahr as a nightclub washroom attendant who falls for a singer (Ethel Merman) and dreams that they\u2019re both in the court of France\u2019s King Louis XV \u2013 where he\u2019s the king and she\u2019s his legendary mistress, Madame Du Barry. This number, intended for Lahr in the extended dream sequence, was dropped during rehearsals. But for a chap seeking a solid, funny character number, this piece offers unique rewards.<\/p>\n<p style=\"text-align: left;\">For more information on the scores and composers of this era, visit the author\u2019s blog: <span style=\"color: #ba9bc9;\"><a href=\"http:\/\/jacksonupperco.com\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><strong><span style=\"color: #ba9bc9; text-decoration: underline;\">jacksonup<\/span><span style=\"color: #ba9bc9; text-decoration: underline;\">perco.com<\/span><\/strong><\/span><\/a><\/span><\/p>\n<br><h3 style=\"text-align: center;\">Listen to a Spotify playlist of these Solo Ideas From The Great Depression here:<\/h3>\n<h3 style=\"text-align: center;\"><\/h3>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/0W2isSvKXQmbQpklcUpHiY\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<br><h3 class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Looking for more material? Check out our other stories below!<\/span><\/h3>\n<ul class=\"ul1\">\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/guys-25-more-wow-able-solos-from-broadways-golden-age\/\">Guys: 25 MORE Wow-Able Solos From Broadway\u2019s Golden Age<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/ladies-25-more-wow-able-solos-from-broadways-golden-age\/\">Ladies: 25 MORE Wow-Able Solos From Broadway\u2019s Golden Age<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/top-10-contemporary-male-audition-cuts\/\">Top 10 Contemporary Male Audition Cuts<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/top-10-contemporary-female-audition-cuts\/\">Top 10 Contemporary Female Audition Cuts<\/a><\/span><\/span><\/li>\n<li class=\"li3\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s5\">Top 10 Traditional Male Audition Cuts<\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-for-women-who-speak-their-mind\/\">10 Monologues for Women Who Speak Their Mind<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"http:\/\/theatrenerds.com\/10-female-monologues-from-love-sick-characters\/\">10 Female Monologues From Love-Sick Characters<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-from-male-characters-fathers-brothers-and-sons\/\">10 Monologues from Male Characters: Fathers, Brothers, and Sons<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-for-people-who-have-a-bone-to-pick\/\">10 Monologues for People Who Have a Bone to Pick<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-great-monologues-from-lgbtq-identifying-characters\/\">10 Great Monologues from LGBTQ-Identifying Characters<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-for-characters-who-have-theatre-on-the-brain\/\">10 Monologues for Characters Who Have Theatre on the Brain<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-male-monologues-from-characters-dealing-with-death\/\">10 Male Monologues from Characters Dealing With Death<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/guys-25-wow-able-solos-from-broadways-golden-age\/\">Guys: 25 Wow-Able Solos from Broadway\u2019s Golden Age<\/a><\/span><\/span><\/li>\n<li class=\"li4\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s6\"><a href=\"https:\/\/performerstuff.com\/mgs\/ladies-25-wow-able-solos-from-broadways-golden-age\/\">Ladies: 25 Wow-Able Solos from Broadway\u2019s Golden Age<\/a><\/span><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Jackson Upperco<\/strong>\u00a0is a lover of retro television, forgotten Broadway\u00a0musicals, and Pre-Code Hollywood. He boasts a Bachelors Degree in\u00a0Film and Television from Boston University. You can keep up with all of\u00a0his entertainment interests at\u00a0<a href=\"http:\/\/jacksonupperco.com\/\" target=\"_blank\" rel=\"noopener\">jacksonupperco.com<\/a>.<\/em><\/h5>\n<h5>Thumbnail image from <i>The Gay Divorce.\u00a0<\/i>Public domain.<\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":6081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[470,262,302,453],"tags":[344,72,242],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/3783"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=3783"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/3783\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/6081"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=3783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=3783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=3783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}