{"id":3475,"date":"2017-06-15T15:09:38","date_gmt":"2017-06-15T15:09:38","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=3475"},"modified":"2020-05-08T13:29:26","modified_gmt":"2020-05-08T13:29:26","slug":"the-truly-turbulent-thirties-22-female-solo-ideas-from-the-great-depression","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/the-truly-turbulent-thirties-22-female-solo-ideas-from-the-great-depression\/","title":{"rendered":"The Truly Turbulent Thirties: 22 Female Solo Ideas From The Great Depression"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3 style=\"text-align: left;\">The Truly Turbulent Thirties: 22 Female Solo Ideas From The Great Depression<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/large-13015398_10208783920372319_8251907998121298385_n.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by\u00a0Jackson Upperco<\/p>\n<p>June 14, 2017<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">So you\u2019re auditioning for the role of Reno Sweeney in <em>Anything Goes <\/em>(1934)<em>? <\/em>Miss Hannigan in <em>Annie<\/em> (1977)? Dorothy Brock in the stage adaptation of the 1933 film <em>42<sup>nd<\/sup> Street <\/em>(1980)? Then you need some authentic and <em>not overdone <\/em>material from the \u201830s in your repertoire \u2013 starting with this collection of Musical Theatre solo suggestions for audition and study from the Great Depression. All the selections below, chosen by a self-proclaimed expert on the scores of this era, are guaranteed to put you in the mind and flavor \u2013 the <em>real <\/em>mind and flavor \u2013 of this iconic decade. From classic entries in the Great American Songbook to bluesy (seldom sung) gems waiting to be rediscovered, this EXCLUSIVE list is one to be bookmarked and studied!<\/p>\n<h4>1.\u00a0\u201cTen Cents A Dance\u201d from <em>Simple Simon <\/em>(1930) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VQxWgGQcCVc?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Introduced by famous chanteuse Ruth Etting in a vehicle for comic Ed Wynn (<em>Mary Poppins<\/em>), this Rodgers and Hart anthem for a beleaguered taxi dancer has become a Depression era standard. Although the number had little bearing on the show\u2019s fantastical plot, it left a lasting impression. Classic.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/35268\/Ten-Cents-A-Dance\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">2. \u201cNobody Breaks My Heart\u201d from <em>Fine And Dandy <\/em>(1930) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/174SXVF06aI?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\"><em>Fine And Dandy <\/em>is notable for being the first competitive Broadway musical with a score by a woman, Kay Swift, whose husband (under the pseudonym Paul James) served as lyricist. From another vehicle for a star comic, this leading lady torch song is a lesser known bluesy delight.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>3. \u201cBoy! What Love Has Done To Me!\u201d from <em>Girl Crazy <\/em>(1930) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lxDb1rUM3Ms?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Notable for being the third of three solo numbers introduced by Ethel Merman in her Broadway debut<em>, <\/em>this Gershwin gem is her 11 o\u2019clock torch spot, as she laments her own love for a bum. \u201cI Got Rhythm\u201d became Merman\u2019s signature, but this was the show\u2019s most character-y.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>4. \u201cSweet And Hot\u201d from <em>You Said It <\/em>(1931) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zNf2OGcSRZg?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Composer Harold Arlen would become best known for crafting the music for <em>The Wizard Of Oz <\/em>(1939), but his early Broadway work shows impressive range. This sassy ditty, introduced by Polish starlet Lyda Roberti, extolls her preference for music \u2013 and men \u2013 that are \u201csweet and hot.\u201d<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>5. \u201cA Lady Must Live\u201d from <em>America\u2019s Sweetheart <\/em>(1931) (<em>Soprano<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YMv57LtSfac?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">With the arrival of talking pictures in the late \u201820s, Broadway developed a fixation on spoofing Hollywood and the movie-making industry. <em>America\u2019s Sweetheart <\/em>was Rodgers &amp; Hart\u2019s contribution, and this risqu\u00e9 number for a French movie star is filled with delicious double entendres.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>6. \u201cLife Is Just A Bowl Of Cherries\u201d from <em>George White\u2019s Scandals of 1931\u00a0<\/em>(<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6Ww5pClQyNY?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">In the face of the suffering brought about by the Great Depression, which officially began in 1929 and had becoming increasingly worse by 1931, the American musical theatre tried optimism \u2013 evidenced here in this simple advice introduced in a musical revue by Ethel Merman.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/22457\/Life-Is-Just-A-Bowl-Of-Cherries\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>7. \u201cShe Didn\u2019t Say \u2018Yes\u2019\u201d from <em>The Cat And The Fiddle <\/em>(1931) (<em>Soprano<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/B_A53CyR9uM?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Jerome Kern, whose work with Oscar Hammerstein II in <em>Show Boat <\/em>cemented his standing as an ambitious musician, reaffirmed his intentions with this frothy operetta, blending elements of both jazz and opera (propagated in the book by two dueling composers). This is the lady\u2019s jazzy hit.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/15519\/She-Didnt-Say-Yes\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>8. \u201cShould I Be Sweet?\u201d from <em>Take A Chance <\/em>(1932) (<em>Soprano<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xZBy38HddoM?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">A relatively obscure number from a \u201cbackstager\u201d that went through a lot of out-of-town turmoil, this tune came back into some favor when Kristin Chenoweth recorded it for her first solo album. Once again, musical styles are contrasted as an ing\u00e9nue wonders whether she should be sweet or hot.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>9. \u201cSupper Time\u201d from <em>As Thousands Cheer <\/em>(1933) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OadvWjkVMHQ?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">An ideal number for black women looking to explore material in this era of slowly changing racial sensibilities, this classic, about a woman whose husband has been lynched, was introduced by the legendary Ethel Waters in a topical Irving Berlin revue. She was the first black headliner allowed to take an equal curtain call with her white co-stars.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/30099\/Supper-Time\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>10. \u201cThe Physician\u201d from <em>Nymph Errant <\/em>(1933) (<em>Soprano<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dg_bXyHc0iY?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">The \u201830s is the decade of Cole Porter\u2019s dominance, for in the face of financial tragedy, his upper class wit (especially when voiced by Average Joes) was unique and delectable. This song comes from a British comedy about a woman who travels the world hoping to lose her virginity. Yes, that\u2019s right.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>11. \u201cI\u2019ll Be Hard To Handle\u201d from <em>Roberta <\/em>(1933) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZjQmuuWQgJ8?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Polish diva Lyda Roberti played a Slavic chanteuse in this Jerome Kern classic about an American football star who inherits his aunt\u2019s famous Parisian dress shop. In this divine character number, vampy Roberti warns the boys as to why she\u2019s <em>definitely<\/em> not ideal wife material.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>12. \u201cI Couldn\u2019t Hold My Man\u201d from <em>Life Begins At 8:40 <\/em>(1934) (<em>Alto<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PSzAIgIL4AQ?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">For as earnest and bleak as the decade otherwise looked for most people, its art and entertainment had a pronounced sense of alleviating satirical humor, evidenced here in this spoof of torch songs, introduced by Luella Gear in this lighthearted, star-filled mid-\u201830s revue.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>13. \u201cThief In The Night\u201d from <em>At Home Abroad <\/em>(1935) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jPBdudZmFKo?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><br><\/div><p style=\"text-align: left;\">Another terrific character piece introduced by early African American superstar Ethel Waters, this amusing Dietz &amp; Schwartz torch song comes from a woman who tells us about one of her rotten beaus. The show was a revue that took the audience on a cruise around the world.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>14. \u201cBegin The Beguine\u201d from <em>Jubilee <\/em>(1935) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/HznQWxvKV2k?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">One of Cole Porter\u2019s most indelible standards, this gem comes from his first post-<em>Anything Goes <\/em>stage work, the plot of which concerns a royal family who, fearing an uprising, hides among the commoners.\u00a0 In this number, the Prince meets an American singer, who tells of the evocative power of a French island dance known as the Beguine.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/40057\/Begin-The-Beguine\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>15. \u201cThe Economic Situation\u201d from <em>The Ziegfeld Follies of 1936\u00a0<\/em>(<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8RNZzpElXWY?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Following the death of impresario Florenz Ziegfeld in 1932, his wife Billie Burke assumed the role of producer. The \u201936 edition was one of the series\u2019 best. Comedienne Eve Arden introduced this droll ditty, detailing how the Depression has negatively affected her dating life.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>16. \u201cDown In The Depths (On The 90<sup>th<\/sup> Floor)\u201d from <em>Red, Hot, And Blue! <\/em>(1936) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/D52X4ldQzN4?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Ethel Merman became Cole Porter\u2019s muse, and after 1934\u2019s <em>Anything Goes<\/em>, she would star in four more of his hits, including this initial follow-up, <em>Red, Hot, And Blue!, <\/em>in which she played a widowed manicurist who rehabilitates ex-convicts and falls for her best friend. This was her stunning torch song.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/24744\/Down-In-The-Depths-On-The-Ninetieth-Floor\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">17. \u201cNobody Makes A Pass At Me\u201d from <em>Pins And Needles <\/em>(1937) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BCHeaEk_nwc?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">This musical comedy is notable for being the first produced by a labor Union \u2013 the striking International Ladies Garment Workers Union. The show was topical and left-leaning, but many of its numbers, composed by Harold Rome, were charming, funny delights \u2013 such as this one.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/18564\/Nobody-Makes-A-Pass-At-Me\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>18. \u201cDown With Love\u201d from <em>Hooray For What! <\/em>(1937) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VBQc4m9-Irs?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\"><em>The Wizard Of Oz<\/em>\u2019s Arlen &amp; Harburg crafted the score for this farcical Ed Wynn comedy about a farmer who invents poison gas. This standard, the first act finale, is led by an embittered foreign spy (initially played by Kay Thompson, but replaced before the opening by <em>I Love Lucy<\/em>\u2019s Vivian Vance).<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/10831\/Down-With-Love\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>19. \u201cMy Heart Belongs To Daddy\u201d from <em>Leave It To Me! <\/em>(1938) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Sisry2R_niA?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Legendary Broadway diva <a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-2-mary-martin\/\"><span style=\"text-decoration: underline; color: #ba9b9c;\"><strong>Mary Martin<\/strong><\/span><\/a> made her Broadway debut here, and like Ethel Merman, rose to stardom on the basis of one song \u2013 this iconic Cole Porter specialty about a stranded gold-digger in Siberia who does a strip tease for the boys in honor of her daddy. Loaded with innuendo!<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/24666\/My-Heart-Belongs-To-Daddy\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>20. \u201cFalling In Love With Love\u201d from <em>The Boys From Syracuse <\/em>(1938) (<em>Soprano<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_lkE0g1FyW0?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">From Rodgers and Hart\u2019s musical retelling of Shakespeare\u2019s comedy <em>The Comedy Of Errors <\/em>about the hijinks that befall two sets of identical twins, this entry in the Great American songbook is a skeptical waltz by a jaded Greek wife. Beautiful, hard, sophisticated.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/6513\/Falling-In-Love-With-Love\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>21. \u201cThis Is It\u201d from <em>Stars In Your Eyes <\/em>(1939) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4tRidpLK5O4?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">A vehicle for Ethel Merman and comedian Jimmy Durante, <em>Stars In Your Eyes <\/em>boasted a score by Arthur Schwartz and lyricist Dorothy Fields. Merman played a spoiled Hollywood starlet, and this was her first big number in the score \u2013 a rouser in the \u201cI\u2019m in love\u201d variety.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>22. \u201cGive Him The Oo-La-La\u201d from <em>Du Barry Was A Lady <\/em>(1939) (<em>Mezzo<\/em>)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1c761CIjY14?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Merman\u2019s third go-\u2018round with Cole Porter occurred in this farce that co-starred her with Bert Lahr (the Cowardly Lion), whose character dreams that he\u2019s Louis XV and she\u2019s Madame Du Barry. This is saucy Porter fun, as Merman\u2019s Du Barry gives advice on how to get a man.<\/p>\n<p><a class=\"ps-content\" href=\"https:\/\/performerstuff.com\/product\/22566\/Give-Him-The-Oo-La-La\" target=\"_blank\">Get the Sheet Music Here<\/a><\/p>\n<p style=\"text-align: left;\">For more information on the scores and composers of this era, visit the author\u2019s blog: jacksonupperco.com.<\/p>\n<h3 style=\"text-align: center;\">Listen to a <em>Spotify<\/em> playlist of these audition songs here:<\/h3>\n<h3 style=\"text-align: center;\"><\/h3>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/6iMoa1EHGsmc7JIoGF80fR\" width=\"300\" height=\"380\" frameborder=\"0\"><\/iframe><\/p>\n<br><h3 class=\"p1\" style=\"text-align: left;\"><span class=\"s1\">Looking for more material? Check out our other stories below!<\/span><\/h3>\n<ul class=\"ul1\">\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/guys-25-more-wow-able-solos-from-broadways-golden-age\/\">Guys: 25 MORE Wow-Able Solos From Broadway\u2019s Golden Age<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/ladies-25-more-wow-able-solos-from-broadways-golden-age\/\">Ladies: 25 MORE Wow-Able Solos From Broadway\u2019s Golden Age<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/top-10-contemporary-male-audition-cuts\/\">Top 10 Contemporary Male Audition Cuts<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/top-10-contemporary-female-audition-cuts\/\">Top 10 Contemporary Female Audition Cuts<\/a><\/span><\/span><\/li>\n<li class=\"li3\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s5\">Top 10 Traditional Male Audition Cuts<\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-for-women-who-speak-their-mind\/\">10 Monologues for Women Who Speak Their Mind<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"http:\/\/theatrenerds.com\/10-female-monologues-from-love-sick-characters\/\">10 Female Monologues From Love-Sick Characters<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-from-male-characters-fathers-brothers-and-sons\/\">10 Monologues from Male Characters: Fathers, Brothers, and Sons<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-for-people-who-have-a-bone-to-pick\/\">10 Monologues for People Who Have a Bone to Pick<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-great-monologues-from-lgbtq-identifying-characters\/\">10 Great Monologues from LGBTQ-Identifying Characters<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-monologues-for-characters-who-have-theatre-on-the-brain\/\">10 Monologues for Characters Who Have Theatre on the Brain<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-male-monologues-from-characters-dealing-with-death\/\">10 Male Monologues from Characters Dealing With Death<\/a><\/span><\/span><\/li>\n<li class=\"li2\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s2\"><a href=\"https:\/\/performerstuff.com\/mgs\/guys-25-wow-able-solos-from-broadways-golden-age\/\">Guys: 25 Wow-Able Solos from Broadway\u2019s Golden Age<\/a><\/span><\/span><\/li>\n<li class=\"li4\" style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><span class=\"s6\"><a href=\"https:\/\/performerstuff.com\/mgs\/ladies-25-wow-able-solos-from-broadways-golden-age\/\">Ladies: 25 Wow-Able Solos from Broadway\u2019s Golden Age<\/a><\/span><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Jackson Upperco<\/strong>\u00a0is a lover of retro television, forgotten Broadway\u00a0musicals, and Pre-Code Hollywood. He boasts a Bachelors Degree in\u00a0Film and Television from Boston University. You can keep up with all of\u00a0his entertainment interests at\u00a0<a href=\"http:\/\/jacksonupperco.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">jacksonupperco.com<\/a>.<\/em><\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":6069,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[470,260,262,302,453],"tags":[50,446,343,344,92],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/3475"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=3475"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/3475\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/6069"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=3475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=3475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=3475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}