{"id":3226,"date":"2017-05-18T14:25:36","date_gmt":"2017-05-18T14:25:36","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=3226"},"modified":"2020-06-25T18:16:28","modified_gmt":"2020-06-25T18:16:28","slug":"10-contemporary-lgbt-playwrights-you-should-know","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/10-contemporary-lgbt-playwrights-you-should-know\/","title":{"rendered":"10 Contemporary LGBTQ+ Playwrights You Should Know"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3>10 Contemporary LGBTQ+ Playwrights You Should Know<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/06\/authorimage.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by\u00a0Ashleigh Gardner<\/p>\n<p>May 17, 2017<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">In our continued series Playwrights You Should Know, we feature 10 contemporary LGBTQ+ playwrights who have made a significant impact in the representation of the LGBTQ+ community through their work. <\/span><\/p>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2017\/05\/blog_10-Contemporary-LGBT-Playwrights-You-Should-Know.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><h4 style=\"text-align: left;\">Megan Terry (1932 &#8211; )<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-3 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Best known for her avant garde theatre work from the 1960s, Terry is a founding member of New York City\u2019s Open Theater. Terry developed an actor training and character-creation technique known as \u201ctransformation\u201d that was used for her 1966 Vietnam War protest play, <\/span><i><span style=\"font-weight: 400;\">Viet Rock. <\/span><\/i><span style=\"font-weight: 400;\">Terry also founded the Women\u2019s Theater Council in 1972 with <\/span><span style=\"font-weight: 400;\">Maria Irene Fornes<\/span><span style=\"font-weight: 400;\">, Rosalyn Drexler, Julie Bovasso, Adrienne Kennedy, and Rochelle Owens.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b><span style=\"font-weight: 400;\"> Terry was born Marguerite Duffy and changed her name to Megan because it was the Celtic root of Marguerite, and her last name to Terry to honor 19th century actress Ellen Terry.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular works:<\/b> <span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/9394\/approaching-simone\"><b><i>Approaching Simone<\/i><\/b><\/a><\/span><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/8209\/calm-down-mother\"><b><i>Calm Down Mother<\/i><\/b><\/a><\/span><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/9370\/keep-tightly-closed-in-a-cool-dry-place\"><b><i>Keep Tightly Closed in a Cool, Dry Place<\/i><\/b><\/a><\/span><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Jane Chambers (1937 &#8211; 1983)<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-4 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Chambers grew up in Orlando, Florida where she wrote scripts for local public radio stations and studied playwriting at Rollins College before dropping out due to discrimination and moving to New York. Her play <\/span><i><span style=\"font-weight: 400;\">Tales of the Revolution and Other American Fables <\/span><\/i><span style=\"font-weight: 400;\">was staged at the O\u2019Neill Memorial Theater in 1972. Her play <\/span><i><span style=\"font-weight: 400;\">A Late Snow <\/span><\/i><span style=\"font-weight: 400;\">was one of the first plays to portray lesbian characters in a positive light.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">There is an annual playwriting award in her name &#8212; the Jane Chambers Playwriting Award.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular works: <\/b><i><span style=\"font-weight: 400;\">A Late Snow, Random Violence, Tales of the Revolution and Other American Fables<\/span><\/i><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Martin Sherman (1938 &#8211; )<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-5 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Sherman\u2019s Pulitzer Prize nominated play <\/span><i><span style=\"font-weight: 400;\">Bent, <\/span><\/i><span style=\"font-weight: 400;\">produced first in 1978 at the Eugene O\u2019Neill Theater Center,<\/span> <span style=\"font-weight: 400;\">is widely regarded as the play that sparked more research into the treatment of homosexuals in Nazi Germany during World War II. Sherman also produced <\/span><i><span style=\"font-weight: 400;\">Mrs. Henderson Presents <\/span><\/i><span style=\"font-weight: 400;\">in 2005, earning him a British Academy of Film and Television Arts award for Best Original Screenplay. <\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">His introduction into the theatre came at six when he saw a pre-Broadway version of <\/span><i><span style=\"font-weight: 400;\">Guys and Dolls.<\/span><\/i><\/p>\n<p style=\"text-align: left;\"><b>Popular works:<\/b> <span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/2618\/bent\"><b><i>Bent<\/i><\/b><\/a><\/span><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline; color: #ba9bc9;\"><em><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/2466\/when-she-danced\"><b>When She Danced<\/b><\/a><\/em><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/2345\/madhouse-in-goa-a\"><b><i>A Madhouse in Goa<\/i><\/b><\/a><\/span><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Jo Clifford (1949 &#8211; )<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-6 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Born John Clifford in Stoke-on-Trent, England, Clifford realized something was different about herself when she put on makeup for a play for the first time. &#8220;It was&#8230; wow! But the second time I got terrified. I thought I must be a sick person. I was so frightened,\u201d she says of the experience. In 1999, Clifford\u2019s first play about being transgender, <\/span><i><span style=\"font-weight: 400;\">The Night Journey<\/span><\/i><span style=\"font-weight: 400;\">, opened, and her next play, <\/span><i><span style=\"font-weight: 400;\">God\u2019s New Frock<\/span><\/i><span style=\"font-weight: 400;\">, was largely autobiographical. In her 2009 play, <\/span><i><span style=\"font-weight: 400;\">Jesus, Queen of Heaven<\/span><\/i><span style=\"font-weight: 400;\">, Clifford portrayed Jesus as a trans woman and played the role herself. Having been condemned by many churches, it ultimately sold out and is one of her best-known works.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">Her play <\/span><i><span style=\"font-weight: 400;\">Sex, Chips and the Holy Ghost <\/span><\/i><span style=\"font-weight: 400;\">features a transsexual nun and a gay priest.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular works: <\/b><i><span style=\"font-weight: 400;\">Jesus, Queen of Heaven, The Night Journey, Sex, Chips and the Holy Ghost<\/span><\/i><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Paula Vogel (1951 &#8211; )<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-7 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Vogel received the Pulitzer Prize in 1998 for her play <\/span><i><span style=\"font-weight: 400;\">How I Learned to Drive. <\/span><\/i><span style=\"font-weight: 400;\">Her play <\/span><i><span style=\"font-weight: 400;\">The Baltimore Waltz <\/span><\/i><span style=\"font-weight: 400;\">is a commentary on the AIDS epidemic and received the Obie Award for Best Play in 1993. One of her more obscure and strange plays is <em>And Baby Makes Seven<\/em>, a story about a lesbian couple expecting a baby by their friend Peter. To prepare for parenthood, they invent imaginary children that they act out and subsequently kill off.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">Vogel was the Chair of the playwriting department at the Yale School of Drama.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular works: <\/b><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=3691\"><b><i>And Baby Makes Seven<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=2683\"><b><i>How I Learned To Drive<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=904\"><b><i>The Baltimore Waltz<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=823\"><b><i>A Play About A Handkerchief<\/i><\/b><\/a><\/span><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Tony Kushner (1956 &#8211; )<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-8 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">In 1993, he received the Pulitzer Prize for his play <\/span><i><span style=\"font-weight: 400;\">Angels in America: A Gay Fantasia on National Themes<\/span><\/i><span style=\"font-weight: 400;\"> which was later made into a film starring Meryl Streep, Al Pacino, Patrick Wilson, Mary-Louise Parker, and Emma Thompson. Kushner has received several honorary doctorate degrees, one from Brandeis University, one from SUNY Purchase College, one from CUNY\u2019s John Jay College of Criminal Justice, and one from Ithaca College.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">Kushner worked on the screenplay for the 2016 film <\/span><i><span style=\"font-weight: 400;\">Fences <\/span><\/i><span style=\"font-weight: 400;\">starring Viola Davis and Denzel Washington.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular works:<\/b> <span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/www.broadwayplaypub.com\/the-plays\/angels-in-america-part-one-millennium-approaches-and-part-two-perestroika\/\"><b><i>Angels in America: A Gay Fantasia on National Themes<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/www.broadwayplaypub.com\/the-plays\/a-bright-room-called-day\/\"><b><i>A Bright Room Called Day<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, The Good Person of Szechuan<\/span><\/i><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Jon Robin Baitz (1961 &#8211; )<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-9 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Working as a bookstore clerk and assistant to two producers instead of attending college, Baitz was inspired to write his first one-act play,\u00a0<\/span><i>Mizlansky\/Zilinsky.\u00a0<\/i><span style=\"font-weight: 400;\">His first two-act play,\u00a0<\/span><i>The Film Society<\/i><span style=\"font-weight: 400;\">, was so successful in LA that it was premiered Off-Broadway in New York in 1988 with Nathan Lane. He has written for the stage, film, and television.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:\u00a0<\/b><span style=\"font-weight: 400;\">Baitz was raised in Brazil and South Africa before his family returned to their home in California.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular works:\u00a0<\/b><span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.dramatists.com\/cgi-bin\/db\/single.asp?key=4386\"><b><i>Other Desert Cities<\/i><\/b><\/a><\/span><\/span><i>,\u00a0<\/i><span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/1307\/film-society\"><b><i>The Film Society<\/i><\/b><\/a><\/span><\/span><i>,\u00a0<\/i><span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/1744\/substance-of-fire-the\"><b><i>The Substance of Fire<\/i><\/b><\/a><\/span><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Alexi Kaye Campbell (1966 &#8211; )<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-10 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">His second play, <\/span><i><span style=\"font-weight: 400;\">The Pride<\/span><\/i><span style=\"font-weight: 400;\">, was received well and earned Campbell the Critic\u2019s Circle Prize for Most Promising Playwright and the John Whiting Award for Best New Play. Campbell also wrote the screenplay for <\/span><i><span style=\"font-weight: 400;\">The Woman in Gold <\/span><\/i><span style=\"font-weight: 400;\">starring veteran actor Helen Mirren. It was the highest earning indie film of 2015.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b><span style=\"font-weight: 400;\"> Campbell was born in Athens, Greece and took his mother\u2019s maiden name instead of keeping his father\u2019s last name.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular plays: <\/b><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/14715\/the-pride\"><b><i>The Pride<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline;\"><span style=\"color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/18954\/apologia\"><b><i>Apologia<\/i><\/b><\/a><\/span><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Bathsheba Doran<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-11 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Doran, a recipient of a Fulbright Scholarship and a playwriting fellow at the Juilliard School, has seen her work developed by the O\u2019Neill Playwriting Center, Lincoln Center, Manhattan Theatre Club, and Sundance Theatre Lab. She has also been commissioned by Playwrights Horizons and the Atlantic Theatre Company.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia: <\/b><span style=\"font-weight: 400;\">As a little girl, Doran fell in love with the theatre when she realized that the shadow of Peter Pan was made of pantyhose.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular works: <\/b><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/13664\/kin\"><b><i>Kin<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/58645\/mystery-of-love-sex-the\"><b><i>The Mystery of Love and Sex<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/5225\/living-room-in-africa\"><b><i>Living Room in Africa<\/i><\/b><\/a><\/span><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Adam Bock<\/h4>\n<div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-12 hover-type-none\"> <img alt=\"\" class=\"img-responsive\"\/><\/span><\/div><p style=\"text-align: left;\"><span style=\"font-weight: 400;\">Bock studied at the National Institute at the Eugene O\u2019Neill Theater Center and has had plays produced at Playwrights Horizons in New York. He has been nominated for two 2007-2008 Outer Critics Circle Awards, and <\/span><i><span style=\"font-weight: 400;\">The Receptionist <\/span><\/i><span style=\"font-weight: 400;\">and <\/span><i><span style=\"font-weight: 400;\">The Drunken City <\/span><\/i><span style=\"font-weight: 400;\">were nominated for Outstanding Off-Broadway Play.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Trivia:<\/b><span style=\"font-weight: 400;\"> He is an artistic associate of Shotgun Players, an award-winning San Francisco theatre group.<\/span><\/p>\n<p style=\"text-align: left;\"><b>Popular works:<\/b> <span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/1257\/drunken-city-the\"><b><i>The Drunken City<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/1902\/small-fire-a\"><b><i>A Small Fire<\/i><\/b><\/a><\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"http:\/\/www.samuelfrench.com\/p\/1695\/receptionist-the\"><b><i>The Receptionist<\/i><\/b><\/a><\/span><\/p>\n<br>\r\n<br><h3 style=\"text-align: left;\">Hungry for more theatre history? Check out our other stories below!<\/h3>\n<ul>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-contemporary-native-american-playwrights-you-should-know\/\">10 Contemporary Native American Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-contemporary-playwrights-of-color-you-should-know\/\">10 Contemporary Playwrights of Color You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-asian-american-playwrights-you-should-know\/\">10 Asian American Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-twentieth-century-latinx-hispanic-and-chicanoa-playwrights-you-should-know\/\">10 Latinx, Hispanic, and Chicano\/a Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-eighteenth-century-female-playwrights-you-should-know\/\">10 Eighteenth-Century Female Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-nineteenth-century-female-playwrights-you-should-know\/\">10 Nineteenth-Century Female Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/7-classic-russian-playwrights-you-should-know\/\">10 Classic Russian Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/12-elizabethan-and-jacobean-playwrights-you-should-know\/\">12 Elizabethan and Jacobean Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/7-greek-and-roman-playwrights-you-should-know\/\">7 Greek and Roman Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/13-classic-american-playwrights-you-should-know\/\">13 Classic American Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/early-20th-century-broadway-composers-and-lyricists-you-should-know\/\">Early 20th Century Broadway Composers and Lyricists You Should Know<\/a><\/span><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Ashleigh Gardner<\/strong>\u00a0received her AA in Theatre\/Drama\/Dramatic Arts\u00a0from Valencia College and\u00a0her Bachelors Degree in English Literature and\u00a0Masters Degree in Literary, Cultural, and Textual Studies from\u00a0the University of Central Florida. She is a playwright, an actor, and PerformerStuff.com\u2019s Editor.\u00a0<\/em><\/h5>\n<h5 style=\"text-align: left;\">Thumbnail:\u00a0Photo by <a href=\"https:\/\/unsplash.com\/photos\/ls92YZ3R5Wo?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">rawpixel<\/a> on <a href=\"https:\/\/unsplash.com\/search\/photos\/typewriter?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Unsplash<\/a><\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":6050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[259,799,914,263,272,453],"tags":[39,308,214,128,168],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/3226"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=3226"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/3226\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/6050"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=3226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=3226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=3226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}