{"id":3189,"date":"2017-05-10T02:18:46","date_gmt":"2017-05-10T02:18:46","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=3189"},"modified":"2017-09-25T16:14:07","modified_gmt":"2017-09-25T16:14:07","slug":"playwright-interview-rosary-oneill","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/playwright-interview-rosary-oneill\/","title":{"rendered":"Playwright Interview: Rosary O&#8217;Neill"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3>Playwright Interview: Rosary O&#8217;Neill<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/06\/authorimage.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by\u00a0Ashleigh Gardner<\/p>\n<p>May 2, 2017<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">Welcome back to Performer Stuff\u2019s new series that celebrates our playwrights! We\u00a0feature an interview with a playwright who features their work on PerformerStuff.com, asking them questions about their inspirations, their process, and the craft of playwrighting. Our series continues with playwright Rosary O&#8217;Neill. (Find her monologues\u00a0<span style=\"text-decoration: underline; color: #ba9bc9;\"><a style=\"color: #ba9bc9;\" href=\"https:\/\/performerstuff.com\/generalpwprofile\/946\/pw\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>here<\/strong><\/a><\/span>!)<\/p>\n<center><span class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2017\/05\/rosary-web-site-shots-14-2.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/center><h4 style=\"text-align: left;\">1. What or who (or both) inspired you to become a playwright?<\/h4>\n<br><p style=\"text-align: left;\">I was inspired to be a playwright because I wanted to be in\u00a0theatre\u00a0all my life and I found being an actress too difficult\u2014with small children and a day teaching job. So after sobbing about leaving the acting profession, I poured all my creativity into writing. Playwrighting appealed to me because I could create the parts I would have wanted to play and lots of roles for actresses. I also wrote roles for my son (he begged me to) and he actually has become a fantastic actor on the west coast. I love the chance to put my questions into the mouths of great actors.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">2. What themes, images, or relationships appear most frequently in your work and why?<\/h4>\n<br><p style=\"text-align: left;\">Money and love and the conflicts between the two and then, of course, confronting death!\u00a0 I write about artists and the struggles they go through to be oracles in a world that deprecates all but money. I love doing research and writing about famous artists confronting the big questions: Marilyn, James Dean, John Singer Sargent, Edgar Degas among others. \u00a0Also, I have a series of family plays set in torrid Louisiana and Hollywood plays set in Paris, New York, New Orleans, or Los Angeles, cities that have always intrigued me.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">3. Tell us about the play that you are proudest of having written.<\/h4>\n<br><p style=\"text-align: left;\">My most recent play\u00a0<em>Marie LaVeau and the Vampire, <\/em>a musical drama. I\u00a0love the bigger-than-life struggles between a gorgeous Voodoo\u00a0Queen in New Orleans and the Vampire sent to kill her in the 19<sup>th<\/sup>\u00a0century.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">4. If you could have written one play in the history of theatre, which would it be?<\/h4>\n<br><p><em>Hamlet<\/em>. Is there a better play? Second choice:\u00a0<em>Streetcar Named Desire.<\/em><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\">Read more about the playwright below:<\/h4>\n<br><p style=\"text-align: left;\"><span style=\"font-weight: 400;\"><strong>Rosary Hartel O\u2019Neill<\/strong> is the author of 25 plays, 18 published by Samuel French, Inc., and three books of nonfiction. The fourth edition of her text The Actor\u2019s Checklist, is used in schools nationwide. A Senior Fulbright Drama Specialist: 2013-2019, appointed to the Peer Review Committee of the Fulbright Commission, Rosary completed an invitation with Philippe Adrien, artistic director of the Theatre de la Tempete at the Cartoucherie in Paris to develop her play <\/span><i><span style=\"font-weight: 400;\">Marie LaVeau and the Vampire<\/span><\/i><span style=\"font-weight: 400;\">. The musical of her play <\/span><i><span style=\"font-weight: 400;\">Degas in New Orleans<\/span><\/i><span style=\"font-weight: 400;\"> debuted at Bard College in 2014, and at the Arthur Seelen Theatre in New York City. Rosary is a member of the Playwright Director\u2019s Workshop at the Actors Studio in NYC where her play <\/span><i><span style=\"font-weight: 400;\">James Dean and the Highway of Death<\/span><\/i><span style=\"font-weight: 400;\"> was recently developed. On the faculty of the Omega Institute, Rhinebeck, NY, she regularly teaches courses in script writing. From 1983-2001 Rosary was a tenured professor of drama and Speech at Loyola University, New Orleans. From 1986-2001 she served as the Founding Artistic Director of Southern Repertory Theatre, the leading equity theatre in New Orleans.<\/span><\/p>\n<br>\r\n<br><h3 style=\"text-align: left;\">Interested in other playwrights? Check out our other features below!<\/h3>\n<ul>\n<li style=\"text-align: left;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-contemporary-native-american-playwrights-you-should-know\/\"><span style=\"text-decoration: underline;\"><span style=\"font-weight: 400;\">10 Contemporary Native American Playwrights You Should Know<\/span><\/span><\/a><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-contemporary-playwrights-of-color-you-should-know\/\">10 Contemporary Playwrights of Color You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-asian-american-playwrights-you-should-know\/\">10 Asian American Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-twentieth-century-latinx-hispanic-and-chicanoa-playwrights-you-should-know\/\">10 Latinx, Hispanic, and Chicano\/a Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-eighteenth-century-female-playwrights-you-should-know\/\">10 Eighteenth-Century Female Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/10-nineteenth-century-female-playwrights-you-should-know\/\">10 Nineteenth-Century Female Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/7-classic-russian-playwrights-you-should-know\/\">10 Classic Russian Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/12-elizabethan-and-jacobean-playwrights-you-should-know\/\">12 Elizabethan and Jacobean Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/7-greek-and-roman-playwrights-you-should-know\/\">7 Greek and Roman Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/performerstuff.com\/mgs\/13-classic-american-playwrights-you-should-know\/\">13 Classic American Playwrights You Should Know<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><a href=\"https:\/\/performerstuff.com\/mgs\/early-20th-century-broadway-composers-and-lyricists-you-should-know\/\"><span style=\"text-decoration: underline;\"><span style=\"font-weight: 400;\">Early 20th Century Broadway Composers and Lyricists You Should Know<\/span><\/span><\/a><\/li>\n<\/ul>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Ashleigh Gardner<\/strong>\u00a0received her AA in Theatre\/Drama\/Dramatic Arts\u00a0from Valencia College and\u00a0her Bachelors Degree in English Literature and\u00a0Masters Degree in Literary, Cultural, and Textual Studies from\u00a0the University of Central Florida. She is a playwright, an actor, and PerformerStuff.com\u2019s Editor.\u00a0<\/em><\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":3191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[259,260,269,256,263],"tags":[39,128,168,70,14],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/3189"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=3189"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/3189\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/3191"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=3189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=3189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=3189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}