{"id":2858,"date":"2017-04-04T02:28:55","date_gmt":"2017-04-04T02:28:55","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=2858"},"modified":"2018-08-23T18:30:53","modified_gmt":"2018-08-23T18:30:53","slug":"diva-alert-9-barbara-cook","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/diva-alert-9-barbara-cook\/","title":{"rendered":"Diva Alert #9: Barbara Cook"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3 style=\"text-align: left;\">Diva Alert #9: Barbara Cook<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/large-13015398_10208783920372319_8251907998121298385_n.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by Jackson Upperco<\/p>\n<p>March 31, 2017<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\"><em>Welcome back to Diva Alert, Performer Stuff\u2019s series on Great Dames from the Golden Age of Broadway. In these posts, we\u2019re taking a look at some of the American Musical Theatre\u2019s most legendary ladies, along with their seminal stage triumphs. <\/em><\/p>\n<p style=\"text-align: left;\">This warm lyric soprano was Broadway\u2019s foremost ing\u00e9nue in the late 1950s. Her turns in several of the most charming musicals of the Golden Age remain electric. Her comeback story remains inspiring. Her voice remains iconic. Her name is\u2026 Barbara Cook.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2017\/03\/Picture1.png\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">Born in Atlanta to a traveling salesman and a phone operator, Barbara Cook began her professional career when she moved to Manhattan in her early \u201820s. Following a few years as a local club and resort chanteuse, she made her Broadway debut in 1951\u2019s <em>Flahooley<\/em>. Cook spent the next two decades consistently employed \u2013 earning acclaim in revivals of <em>Oklahoma!, Carousel, The King &amp; I<\/em>, and <em>Show Boat<\/em>, while originating roles in <em>Plain And Fancy <\/em>(1955) and <em>Candide <\/em>(1956), in which she introduced songs like the thrilling \u201cThis Is All Very New To Me\u201d and the delicious \u201cGlitter And Be Gay,\u201d respectively.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-3 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2017\/03\/Picture2.png\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\"><em>Candide <\/em>wasn\u2019t a success, but Cook\u2019s performance <em>was<\/em>, and it helped to secure the now-leading lady her most famous role, that of Marian the Librarian in the original production of <em>The Music Man <\/em>(1957). In the years following, the scintillating soprano found herself in a sea of musical flops (<em>The Gay Life, Something More, The Grass Harp<\/em>) interspersed with one glorious hit, <em>She Loves Me <\/em>(1963), tours of <em>The Unsinkable Molly Brown <\/em>and <em>Funny Girl<\/em>, and even a few straight plays, in which she got to showcase her acting chops.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-4 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2017\/03\/Picture3.png\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">The early \u201870s was a rough time for Cook, who was now a single mom struggling with obesity, depression, and alcoholism. In 1975, she revitalized her career by teaming with musical director Wally Harper for a comeback at Carnegie Hall that launched the diva on her new trajectory as an acclaimed concert performer. Her most recent Broadway credit came in the 2010 revue <em>Sondheim On Sondheim<\/em>, for which she was Tony-nominated. Now approaching her tenth decade, Barbara Cook is as celebrated today as she was when she first sang about white knights and vanilla ice cream. And she glitters gaily.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-5 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2017\/03\/Picture4.png\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><br><\/div><br><p style=\"text-align: left;\"><strong>DID YOU KNOW? <\/strong>Barbara Cook played the title character\u2019s mother in the 1988 Stratford-upon-Avon production of <em>Carrie. <\/em><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4 style=\"text-align: left;\"><strong>Cook Roles You Should Know<\/strong><\/h4>\n<h4>Cun\u00e9gonde in <em>Candide <\/em>(1956)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/iI0HYxnYmGw?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">As mentioned above, this musical telling of Voltaire\u2019s classic novella was not a commercial triumph, but Cook\u2019s performance was too impressive for the critics to ignore. From the cast recording, here\u2019s her iconic coloratura aria \u201cGlitter And Be Gay.\u201d<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Marian Paroo in <em>The Music Man <\/em>(1957)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Cfp3sBaDc-Q?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Singing indelible Meredith Willson numbers like \u201cGoodnight My Someone\u201d and \u201cMy White Knight,\u201d Cook won a Tony for her performance in this classic Golden Age triumph. Here\u2019s her rendition of the latter from the 1975 Carnegie Hall album.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Amalia Balash in <em>She Loves Me <\/em>(1963)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JJXtfx1snSw?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Based on the 1940 film <em>The Shop Around The Corner <\/em>(which itself was based on a Hungarian play), <em>She Loves Me <\/em>afforded Cook many opportunities to flaunt her brilliant range \u2013 vocal and emotional. From a 1979 concert, here she is with \u201cVanilla Ice Cream.\u201d<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Jackson Upperco<\/strong>\u00a0is a lover of retro television, forgotten Broadway\u00a0musicals, and Pre-Code Hollywood. He boasts a Bachelors Degree in\u00a0Film and Television from Boston University. You can keep up with all of\u00a0his entertainment interests at\u00a0<a href=\"http:\/\/jacksonupperco.com\/\" target=\"_blank\">jacksonupperco.com<\/a>.<\/em><\/h5>\n<h5>Thumbnail: Public Domain.<\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":6203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[264,259,260,269],"tags":[437,139,308,72,88],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/2858"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=2858"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/2858\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/6203"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=2858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=2858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=2858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}