{"id":1079,"date":"2016-09-01T15:29:24","date_gmt":"2016-09-01T15:29:24","guid":{"rendered":"https:\/\/performerstuff.com\/mgs\/?p=1079"},"modified":"2018-08-23T18:44:04","modified_gmt":"2018-08-23T18:44:04","slug":"diva-alert-2-mary-martin","status":"publish","type":"post","link":"https:\/\/performerstuff.com\/mgs\/diva-alert-2-mary-martin\/","title":{"rendered":"Diva Alert #2 : Mary Martin"},"content":{"rendered":"<div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-header-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h3>Diva Alert #2 : Mary Martin<\/h3>\n<font size=\"2\" color=\"grey\"><span style=\"border:1px solid ;-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;-moz-box-shadow: 0 0 3px rgba(0,0,0,.3);-webkit-box-shadow: 0 0 3px rgba(0,0,0,.3);box-shadow: 0 0 3px rgba(0,0,0,.3);margin-right:25px;float:left;\" class=\"fusion-imageframe imageframe-glow imageframe-1 hover-type-none author-image\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/performerstuff.com\" target=\"_self\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/08\/large-13015398_10208783920372319_8251907998121298385_n.jpg\" alt=\"\" class=\"img-responsive\" style=\"-webkit-border-radius:50%;-moz-border-radius:50%;border-radius:50%;\"\/><\/a><\/span><p>Written by Jackson Upperco<\/p>\n<p>September 1, 2016<\/p>\n<\/font><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">Welcome back to Diva Alert, Performer Stuff\u2019s series on Great Dames from the Golden Age of Broadway. In these posts, we\u2019re taking a look at some of the American Musical Theatre\u2019s most legendary ladies, along with their seminal stage triumphs. Last month we opened with the Queen, <a href=\"https:\/\/performerstuff.com\/mgs\/diva-alert-1-ethel-merman\/\"><span style=\"text-decoration: underline;\">Ethel Merman<\/span><\/a>. Now it\u2019s time to discuss a diva who makes her own claim for that title\u2026<\/p>\n<p style=\"text-align: left;\">A nun. A nurse. A lost boy. She played them all. Adored by theatregoers both young and old, this diva paired infectious childlike warmth with an ever-propelling drive for greatness. After a rocky start, she grew to become one of the best-loved stars in the country, breathing life into some of the most iconic musical theatre roles ever created. She was an American treasure. She was Mary Martin.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-2 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/09\/SomethingAboutMaryMartin.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">Leaving behind an ordinary husband and a tiny tot, Martin was but a dance teacher with dreams of something greater when she traded her small town Texas life for pavement pounding in L.A. She was eventually cast in the 1938 Broadway musical <em>Leave It To Me!, <\/em>where her coy cooing of Cole Porter\u2019s soon-to-be-classic \u201cMy Heart Belongs To Daddy\u201d turned Mary Martin into an overnight sensation. This success drove her once more to Hollywood and into a series of motion pictures, but by 1943, Martin was back again where she belonged: the New York stage.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-3 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/09\/stage_marymartin.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">Over the next five decades, this dame did it all \u2013 operettas, musicals, plays \u2013 and wowed audiences with Tony-winning performances in two of the best remembered shows of the century: <em>South Pacific <\/em>(1949) and <em>The Sound Of Music <\/em>(1959). However, her favorite role came playing the titular Peter Pan in the acclaimed 1954 musical adaptation, which she recreated three times for television. And in addition to many other major Broadway triumphs, Martin toured the states \u2013 bringing her love of theatre to audiences who had never before seen a Broadway show.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-4 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/09\/1216617_o.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><p style=\"text-align: left;\">The Texas gal\u2019s once tiny tot eventually grew up to be a star in his own right, but this mama never retired from the spotlight either, performing on stage well into the 1980s. She passed away in 1990 at the age of 76. But the joy with which Mary Martin imbued her craft \u2013 well, that\u2019s as immortal as Peter Pan himself.<\/p>\n<div align=\"center\"><div class=\"imageframe-align-center\"><span style=\"border:1px solid ;\" class=\"fusion-imageframe imageframe-none imageframe-5 hover-type-none\"> <img src=\"https:\/\/performerstuff.com\/mgs\/wp-content\/uploads\/2016\/09\/Mary_Martin_Peter_Pan.jpg\" alt=\"\" class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4><strong>Martin Roles You Should Know<\/strong><\/h4>\n<h4>Dolly Winslow in <em>Leave It To Me! <\/em>(1938)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ALLHnHeuS-o?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">In her Broadway debut, Martin played a kept woman jilted by her sugar daddy. While stranded at a Siberian railroad station, she performed a mock strip tease and dazzled with the song that would make her a star.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Venus in <em>One Touch Of Venus <\/em>(1943)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mqPTGK8hZyw?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Returning to Broadway after several years in Hollywood, Martin met critical acclaim in her first starring vehicle, playing the Goddess of Love sprung to life in the present day. She put over beautiful tunes like the one below.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Nellie Forbush in <em>South Pacific <\/em>(1949)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0NSC4whj1JI?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Martin played a war nurse who falls for a French plantation owner and is forced to overcome her own racial prejudices involving his half-Polynesian kids in this Pulitzer Prize winning musical that won ten Tonys (including one for Martin).<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Peter Pan in <em>Peter Pan <\/em>(1954)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hzfxvB7QdbM?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Millions of kids across the country will forever remember seeing Martin fly across their TV sets as the boy who wouldn\u2019t grow up. It was this diva\u2019s greatest triumph, and fortunately, her performance lives on in three individual telecasts!<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"fusion-one-full fusion-layout-column fusion-column-last fusion-spacing-yes section-body-post\" style=\"margin-top:;margin-bottom:;\"><div class=\"fusion-column-wrapper\"><h4>Maria Rainer in <em>The Sound Of Music <\/em>(1959)<\/h4>\n<br><div align=\"center\"><div class=\"fusion-video fusion-youtube\" style=\"max-width:600px;max-height:350px;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/91rb3XcgiWU?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div><\/div><br><p style=\"text-align: left;\">Before Julie Andrews was dancing around on perfectly manicured hills, Mary Martin was earning a Tony (beating out Ethel Merman\u2019s Madame Rose \u2013 no easy feat) for her interpretation of the future Maria Von Trapp.<\/p>\n<p>For more about Mary Martin, check out her autobiography, <em>My Heart Belongs<\/em>, along with David Kaufman\u2019s recently published biographical study, <em>Some Enchanted Evenings: The Glittering Life And Times of Mary Martin<\/em>.<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><hr \/>\n<h5><em><strong>Jackson Upperco<\/strong>\u00a0is a lover of retro television, forgotten Broadway\u00a0musicals, and Pre-Code Hollywood. He boasts a Bachelors Degree in\u00a0Film and Television from Boston University. You can keep up with all of\u00a0his entertainment interests at\u00a0<a href=\"http:\/\/jacksonupperco.com\/\" target=\"_blank\">jacksonupperco.com<\/a>.<\/em><\/h5>\n<h5>Thumbnail: Public Domain.<\/h5>\n\n","protected":false},"excerpt":{"rendered":" [...]","protected":false},"author":2,"featured_media":6197,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[264,259,260,269,265],"tags":[6,159,175,370,377,72,145,378],"_links":{"self":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/1079"}],"collection":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/comments?post=1079"}],"version-history":[{"count":0,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/posts\/1079\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media\/6197"}],"wp:attachment":[{"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/media?parent=1079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/categories?post=1079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performerstuff.com\/mgs\/wp-json\/wp\/v2\/tags?post=1079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}